Kategoria BISAC: Poetry >> Asian - General

The Life of Harishchandra, Raghavanka's thirteenth-century masterpiece, is the first poetic rendering of one of ancient India's most enduring legends. When his commitment to truth is tested by a powerful sage, King Harishchandra suffers utter deprivation--the loss of his wife and son, his citizens and power, and, dearest of all, his caste status--but refuses to yield. The tale has influenced poets and readers through the ages. Mahatma Gandhi traced his own commitment to truth to the impact of a Harishchandra play seen in childhood.

A poet from northern Karnataka trained in the...

Magha's The Killing of Shishupala, written in the seventh century, is a celebrated example of the Sanskrit genre known as mahākāvya, or great poem. This adaptation from the epic Mahābhārata tells the story of Shishupala, who disrupts Yudhishthira's coronation by refusing to honor Krishna, the king's principal ally and a manifestation of divinity. When Shishupala challenges Krishna to combat, he is immediately beheaded.

Magha, who was likely a court poet in western India, draws on the rich stylistic resources of Sanskrit poetry to imbue his...

Surdas has been regarded as the epitome of artistry in Old Hindi religious poetry from the end of the sixteenth century, when he lived, to the present day. His fame rests upon his remarkable refashioning of the widely known narrative of the cowherd deity Krishna and his lover Radha into lyrics that are at once elegant and approachable. Surdas's popularity led to the proliferation, through an energetic oral tradition, of poems ascribed to him, known as the Sūrsāgar.

Sur's Ocean: Poems from the Early Tradition, presents a dramatically new edition in Devanagari...

In 1752, the Bengali poet Bharatchandra Ray completed a long narrative poem dedicated to the glory of Annada, Shiva's consort and the divinity who, as her name proclaims, "bestows the bounty of rice."

A poet well versed in Sanskrit, Persian, and Hindi--all of which enrich his work--Bharatchandra took up the literary performance genre maṅgalkāvya and thoroughly transformed it, addressing the aesthetic tastes of the court rather than of the traditional village audience. He added depth and sensitivity to well-known legends, along with allusions to his own experiences...