Kategoria BISAC: Poetry >> Ancient & Classical

Robin Robertson s fourth collection is an intense, moving, bleakly lyrical, and at times shocking book. These poems are written with the authority of classical myth, yet sound utterly contemporary. The poet s gaze whether on the natural world or the details of his own life is unflinching and clear, its utter seriousness leavened by a wry, dry, and disarming humor.

Alongside fine translations from Neruda and Montale and dynamic retellings of stories from Ovid, the poems here pitch the power and wonder of nature against the frailty and failure of the human. This is a book of...

Die Bibliotheca Teubneriana, gegrundet 1849, ist die weltweit alteste, traditionsreichste und umfangreichste Editionsreihe griechischer und lateinischer Literatur von der Antike bis zur Neuzeit. Pro Jahr erscheinen 4-5 neue Editionen. Samtliche Ausgaben werden durch eine lateinische Praefatio erganzt.

Die wissenschaftliche Betreuung der Reihe obliegt einem Team anerkannter Philologen:

Gian Biagio Conte (Scuola Normale Superiore di Pisa)
James Diggle (University of Cambridge)
Donald J. Mastronarde (University of California, Berkeley)
Franco...

Through the analysis of individual love poems and groups of poems as well as through the representation of thematic and compositional connections of the love theme with other cardinal themes, this work opens up a new perspective on Horace s' first collection of odes.

Love becomes identifiable as the center of poetry, its poetic functionalization leads to a reassessment of the relationship between Horace and Augustus. Manifold evidence of relationships between individual poems allows new insight into the homogeneous structure of the collection as a whole.

The Roman philosopher and dramatic critic Quintus Horatius Flaccus (65-3 B.C.), known in English as Horace, was also the most famous lyric poet of his age. Written in the troubled decade ending with the establishment of Augustus's regime, his Satires provide trenchant social commentary on men's perennial enslavement to money, power, fame, and sex. Not as frequently translated as his Odes, in recent decades the Satires have been rendered into prose or bland verse.

Horace continues to influence modern lyric poetry, and our greatest poets continue to translate and marvel at his command of...

Shelley thought all didactic poetry an 'abhorrence, ' and most of the Romantics agreed with this judgment. Critics in this century have been less dismissive of the genre, but seem puzzled by it. There has been a tendency to treat a didactic poem as though it were a kind of lyric, in which the focus of interest lies in the emotions and feelings of the writer. But didactic poetry has a purpose, history, and character of its own. This original and important book asks the question, 'What can the practising critic usefully say about a didactic poem?'

This is not primarily a book about...