Kategoria BISAC: Poetry >> European - English, Irish, Scottish, Welsh

In this book the author express more completely than in her earlier studies what were the implications for the poet of a great advance in scientific thought.

Originally published in 1966.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase...

In all of his works Blake struggled with the question of how chaos can be assimilated into imaginative order. Blake's own answer changed in the course of his poetic career. Christine Gallant contends that during the ten year period of composition of Blake's first comprehensive epic, The Four Zoas, Blake's myth expanded from a closed, static system to an open, dynamic process. She further argues that it is only through attention to the changing pattern of Jungian archetypes in the poem that one can discern this profound change.

Using the depth psychology of Jung, Professor...

The essays in this new collection, all by outstanding experts in the field of modern literature, provide a different and more complex sense of Eliot's place in literary history. The eight essays are: "The Waste Land Fifty Years After," by A. Walton Litz; "The Urban Apocalypse," by Hugh Kenner; "The First Waste Land ' by Richard Ellmann;" The Waste Land Paris 1922," by Helen Gardner; "New Modes of Characterization in The Waste Land," by Robert Langbaum; "Precipitating Eliot," by Robert M. Adams; "Fear in the Way: The Design of Eliot's Drama," by Michael Goldman;...

Studying the nature of symbol in Coleridge's work, Father Barth shows that it is central to Coleridge's intellectual endeavor in poetry and criticism as well as in philosophy and theology. He finds symbol to be an essentially religious reality for Coleridge, one that partakes of the nature of a sacrament, especially sacrament as an encounter between material and spiritual reality.

Father Barth notes that eighteenth-century poetry was by and large a poetry of metaphor rather than of symbol, a poetry of reference rather than of encounter. In close readings of the poetry of Wordsworth...

John M. Ganim presents a revised theory of late medieval literary history based on the relationship of the poet to the reader. His work shows how the increasingly compromised exemplary intent of later medieval poets led them to dramatize the reader as a character in the text and to develop complex forms of narrative characterized by discontinuity, distortion, and disorientation.

Originally published in 1983.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of...

"Between the discovery that there is a design which only his poetry enables him to find as he confronts the world and the discovery that such a design is a snare, merely a means of keeping him from further discernment, Michael Rosen is wedged, is productively pinioned, should say, for it is just this pressure--of meaning discerned on one hand and of meaning distrusted on the other--which makes the tension of these poems, a new version of the old wars between mind and body, memory and hope, self and surround. How tender and inclusive are Rosen's preoccupations, and how disabused his...

By making his argument about In Memoriam a continuous argument for it, Timothy Peltason brings to light a wider appreciation of its greatness and of its central place in the history of modern poetry.

Originally published in 1986.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the...

Whereas modern criticism has emphasized the unity and sense of permanence in The Canterbury Tales, John Ganim alerts us to a dialectically opposing dimension that Chaucer's poetics shares with the popular culture of the late Middle Ages: his celebration of the ephemeral and his sense of performance. Ganim uses the concept of theatricality to illuminate Chaucer's manipulations of the forms of popular culture and high literary discourse. He calls upon recent work in semiotics and social history to question Mikhail Bakhtin's notion of the "carnivalesque" and the "dialogic," at the same time...

In this work William Ulmer boldly advances our understanding of Shelley's concept of love by exploring eros as a figure for the poet's political and artistic aspirations. Applying a combination of deconstructive, historicist, and psychoanalytic approaches to six major poems, Ulmer follows the logic of the writing's rhetoric of love by tracing links between such elements as imagination, eros, metaphor, allegory, mirroring, repetition, death, and narcissism. Ulmer takes the mutual desire of self and antitype as a paradigm for rhetorical and social relations throughout Shelley and, in a...

In narrative and some 120 pictures, Don M. Wolfe traces Milton's life in the context of the public events and common scenes of his time. His illustrations and vignettes, supported by passages from the history of the period as well as the poet's own writings, bring to life the people, politics, and society of seventeenth-century England: maidens carrying fresh cream and cheese on their heads, men with hats and caps to sell; the Long Parliament of 1640; Charles I's summary trial and execution; Cromwell's Protectorate; the London Plague of 1665 and the Great Fire of 1666; the publication of...

This volume presents the surviving manuscripts, typescripts, and early printed texts for all of the poems W. B. Yeats included at one time or another in two remarkably significant and protean collections: In the Seven Woods, first published in 1903, and The Green Helmet and Other Poems, first published in 1910. It also documents the extant early record for seven poems Yeats wrote between 1899 and 1914 but either never published or never attached to one of his plays or collections of poems.

During this crucial period in his career, Yeats transformed himself from a...