Kategoria BISAC: Poetry >> American - General

The Prodigal is a journey through physical and mental landscapes, from Greenwich Village to the Alps, Pescara to Milan, Germany to Cartagena. But always in "the music of memory, water," abides St. Lucia, the author's birthplace, and the living sea. In his new work, Derek Walcott has created a sweeping yet intimate epic of an exhausted Europe studded with church spires and mountains, train stations and statuary, where the New World is an idea, a "wavering map," and where History subsumes the natural history of his "unimportantly beautiful" island home. Here, the wanderer fears that...

In 2002, Frank Bidart published a sequence of poems, Music Like Dirt, the first chapbook ever to be a finalist for the Pulitzer Prize. From the beginning, he had conceived this sequence as the opening movement in a larger structure--now, with Star Dust, finally complete.

In this profound and unforgettable new book, the dream beyond desire (which now seems to represent human destiny) is rooted in the drive to create, a drive tormented at every stage by failure, as the temporal being fights for its survival by making an eternal life. Bidart is a poet of passionate...

Strikingly contemporary new work by an acclaimed poet

Into It, Lawrence Joseph's fourth book of poems, is as bold a book as any in American poetry today-an attempt to give voice to the extremes of American reality in the time since, as Joseph puts it, "the game changed."

Joseph's first three books dramatized the challenge of maintaining one's self in a world in the hold of dehumanizing forces. The new book finds him in a time and place where "the immense enlargement / of our perspectives is confronted / by a reduction of our powers of action"-where the word...

Whether writing about waiting as a child in a dentist's office, viewing a city from a plane high above, or losing items ranging from door keys to one's lover in the masterfully restrained "One Art," Elizabeth Bishop somehow conveyed both large and small emotional truths in language of stunning exactitude and even more astonishing resonance. As John Ashbery has written, "The private self . . . melts imperceptibly into the large utterance, the grandeur of poetry, which, because it remains rooted in everyday particulars, never sounds 'grand, ' but is as quietly convincing as everyday...

Capacity, the extraordinary new collection from the award-winning poet James McMichael, deliberates an earth that supplies what people need to live. Land, water, sky, food, shelter, thought, talk, sex--each is addressed at the pace of someone dense with wonder's resistance to take for granted even the smallest or most obvious parts of existence.

Capacity is a 2006 National Book Award Finalist for Poetry.

Averno is a small crater lake in southern Italy, regarded by the ancient Romans as the entrance to the underworld. That place gives its name to Louise Gluck's tenth collection: in a landscape turned irretrievably to winter, it is a gate or passageway that invites traffic between worlds while at the same time resisting their reconciliation. Averno is an extended lamentation, its long, restless poems no less spellbinding for being without conventional resoltution or consolation, no less ravishing for being savage, grief-stricken. What Averno provides is not a map to a point of...

From the mid-1930s to 1978 Elizabeth Bishop published some ninety poems and thirty translations. Yet her notebooks reveal that she embarked upon many more compositions, some existing in only fragmentary form and some embodied in extensive drafts. Edgar Allan Poe & The Juke-Box presents, alongside facsimiles of many notebook pages from which they are drawn, poems Bishop began soon after college, reflecting her passion for Elizabethan verse and surrealist technique; love poems and dream fragments from the 1940s; poems about her Canadian childhood; and many other works that heretofore...

In Scar Tissue, the Pulitzer Prize-winning poet Charles Wright not only investigates the tenuous relationship between description and actuality--"A thing is not an image"--but also reaffirms the project of attempting to describe, to capture the natural world and the beings in it, although he reminds us that landscape is not his subject matter but his technique: that language was always his subject--language and "the ghost of god." And in the dolomites, the clouds, stars, wind, and water that populate these poems, "something un-ordinary persists."

Scar Tissue is a...

In Selected Poems, we experience the full range of James Schuyler's achievement, confirming that he was among the late twentieth century's truly vital and distinctive poetic voices. One of the most significant writers of the New York School--which unofficially included John Ashbery, Frank O'Hara, and Kenneth Koch, among others--Schuyler was strongly influenced by both art and music in his work, often incorporating rapid shifts in sound, shape, and color within his poems that almost gave his work the effect of a collage and engendered comparisons with Whitman and Rimbaud.

One of the early-twentieth century Southern intellectuals and artists of the early twentieth century known as the Agrarians, Allen Tate wrote poetry that was rooted strongly in that region's past--in the land, the people, and the traditions of the American South as well as in the forms and concerns of the classic poets. In "Ode to the Confederate Dead"-- generally recognized as his greatest poem--he delineates both the horror of the sight of rows of tombstones at a Confederate cemetery and the honor that such sacrifice embodies, resulting in "a masterpiece that could not be transcended"...

Robert Lowell, with Elizabeth Bishop, stands apart as the greatest American poet of the latter half of the twentieth century--and Life Studies and For the Union Dead stand as among his most important volumes. In Life Studies, which was first published in 1959, Lowell moved away from the formality of his earlier poems and started writing in a more confessional vein. The title poem of For the Union Dead concerns the death of the Civil War hero (and Lowell ancestor) Robert Gould Shaw, but it also largely centers on the contrast between Boston's idealistic past and its...

"The best American poet writing today"*

"The title itself--a parody of a threat, something the monster under the bed might grunt--manages to capture the weird dialectic of Mr. Seidel's black comedy: He is scary, but funny, but still scary . . . You would have go back to confessional masters like Lowell and Berryman to find poetry as daringly self-revealing, as risky and compelling, as the best of Frederick Seidel's." --*Adam Kirsch, The New York Sun

"The poems in Ooga-Booga are Seidel's] richest yet and read like no one else's: They're...

All the work of this major poet who has "set a new standard for American poetry."*


Collected Poems brings together in one volume C. K. Williams's work of nearly forty years, enabling readers to follow the career of this great poet through its many phases and reinventions.

Here are his confrontational early poems, which bristle with a young idealist's righteous anger. Here are the roomy, rangy poems of Tar and With Ignorance, in which Williams married the long line of Whitman to a modern's psychological self-scrutiny; the compact...

Drawing from every stage of the Nobel laureate's career, Derek Walcott's Selected Poems brings together famous pieces from his early volumes, including "A Far Cry from Africa" and "A City's Death by Fire," with passages from the celebrated Omeros and selections from his latest major works, which extend his contributions to reenergizing the contemporary long poem. Here we find all of Walcott's essential themes, from grappling with the Caribbean's colonial legacy to his conflicted love of home and of Western literary tradition; from the wisdom-making pain of time and mortality...

I don't want words to sever me from reality.
I don't want to need them. I want nothing
to reveal feeling but feeling--as in freedom,
or the knowledge of peace in a realm beyond,
or the sound of water poured in a bowl.

--from "Gravity and Center"

In his sixth collection of verse, Henri Cole deepens his excavations and examinations of autobiography and memory. These poems--often hovering within the realm of the sonnet--combine a delight in...

The chairs have come in
and the crisp yellow thwock
of the ball being hit
says somehow, now that it's fall,
I'm a memory of myself.
My whole old life--
I mourn you sometimes
in places you would have been.
--October

The poems in this fierce debut are an attempt to record what matters. As a reporter's dispatches, they concern themselves with different forms of desolation: what it means to feel at home in wrecked places and then to experience loneliness and dislocation in the familiar. The collection arcs between internal and external...