Kategoria BISAC: Photography >> Individual Photographers - Monographs

This is the first full-length examination of Lewis H. Hine (1874-1940), the intellectual and aesthetic father of social documentary photography. Kate Sampsell-Willmann assesses Hine's output through the lens of his photographs, his political and philosophical ideologies, and his social and aesthetic commitments to the dignity of labor and workers.

Using Hine's images, published articles, and private correspondence, Lewis Hine as Social Critic places the artist within the context of the Progressive Era and its associated movements and periodicals, such as the Works Progress...

In Above Baton Rouge, photographer and pilot Fred C. Frey, Jr., offers a breathtaking bird's-eye view of the development of Louisiana's capital city over time. Vivid pairs of black-and-white aerial photographs taken from similar angles and altitudes forty years apart reveal stunning, sweeping changes that might be taken for granted at eye level, providing a one-of-a-kind visual chronicle of Baton Rouge then and now.

In the early 1960s, Frey began taking aerial photographs of Baton Rouge sites to help evaluate their potential for possible real estate developments. What started as an...

The paintings, murals, and graphics of Ben Shahn (1898-1969) have made him one of the most heralded American artists of the twentieth century, but during the 1930s he was also among the nation's premier photographers. Much of his photographic work was sponsored by the New Deal's Farm Security Administration, where his colleagues included Dorothea Lange and Walker Evans.

"Ben Shahn's American Scene: Photographs, 1938" presents one hundred superb photographs from his most ambitious FSA project, a survey of small-town life in the Depression. John Raeburn's accompanying text illuminates the...