Kategoria BISAC: Photography >> History

The Middle East played a critical role in the development of photography as a new technology and an art form. Likewise, photography was instrumental in cultivating and maintaining Europe's distinctively Orientalist vision of the Middle East. As new advances enhanced the versatility of the medium, nineteenth-century photographers were able to mass-produce images to incite and satisfy the demands of the region's burgeoning tourist industry and the appetites of armchair travelers in Europe. In this way, the evolution of modern photography fueled an interest in visual contact with the rest of...

In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing the power relations that sustain and make possible photographic meanings, Azoulay argues that anyone -- even a stateless person -- who addresses others through photographs or is addressed by photographs can become a member of the citizenry of photography. The civil contract of photography enables anyone to pursue political agency and resistance through photography. Photography, Azoulay insists, cannot be understood separately from the many catastrophes of recent history. The...

In Doctored, Tanya Sheehan takes a new look at the relationship between photography and medicine in American culture from the nineteenth century to the present. Sheehan focuses on Civil War and postbellum Philadelphia, exploring the ways in which medical models and metaphors helped strengthen the professional legitimacy of the city's commercial photographic community at a time when it was not well established. By reading the trade literature and material practices of portrait photography and medicine in relation to one another, she shows how their interaction defined the space of...

The Magnum Photos archive--a collection of more than 200,000 photographs by some of the twentieth and early twenty-first centuries' greatest image makers--is the most comprehensive accumulation of prints made by the distinguished photo cooperative. Consistently and with striking artistry, Magnum's photographers have done more than simply document the far reaches of the globe; they have helped shape generations' understanding of the world around them. While many of its photographs have been widely published, until now no one has examined the Magnum archive itself. In Reading Magnum, experts...

Before the film, Cesar Chavez, Chavez'slife was depicted in photographsby his confidant, Jon Lewis.

In the winter of 1966, twenty-eight-year-old ex-marineJon Lewis visited Delano, California, thecenter of the California grape strike. He thought he might stay awhile, then resume studying photography at San Francisco State University. He stayed for two years, becoming the United Farm Workers Union s semiofficial photographer and a close confidant of farmworker leader Cesar Chavez.

Surviving on a picket s wage of five dollars a week, Lewis photographed twenty-four hours a day...

Warner's spare, formal photographs invite readers...

Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe...