Kategoria BISAC: Photography >> History

In the year that photography was introduced to the world, 1839, a cartoon in a French broadside showed a gallows for the draftsmen and engravers who would be put out of work by the new medium. This was only the beginning of a long tradition of amused, and amusing, depictions of photography, a practice now reviewed in Heinz and Bridget Henisch's new book.

Positive Pleasures explores the humorous commentary about photography that emerged in the medium's first seventy-five years, providing a panorama of photographic comedy in its many aspects, both pictorial and literary. The...

The World of Francis Cooper is a biographical exploration of Francis Cooper, who practiced photography as an aesthetic recreation while a medical student at the University of Pennsylvania. It offers an unusual perspective on turn-of-the century American photography by examining the work of an unknown avocational photographer.

Cooper was a native Philadelphian of sufficient means to indulge in several recreations: competitive shooting, bicycling, and photography. From 1896 to 1901 he traveled to the Pennsylvania countryside to hunt, fish, bicycle, court his wife, and...

Internationally acclaimed for his portraits of powerful and accomplished people and women of great beauty, Richard Avedon was one of the twentieth century's greatest photographers--but perhaps not the most obvious choice to create a portrait of ordinary people of the American West. Yet in 1979, the Amon Carter Museum of Fort Worth, Texas, daringly commissioned him to do just that.

The resulting 1985 exhibition and book, In the American West, was a milestone in American photography and Avedon's most important body of work. His unflinching portraits of oilfield and...

Winner, Best History Book, Maine Photographic Workshops, 2001
Western Books Exhibition, The Rounce & Coffin Club

The history of photography in Mexico was a largely untold story until the 1994 publication of Olivier Debroise's Fuga Mexicana, un recorrido por la fotografia en Mexico. Based on ten years' research in public and private photographic archives in Mexico, the United States, Guatemala, and Europe, Fuga Mexicana provided the first comprehensive survey of Mexican photography from the advent of the daguerreotype in 1839 to the...

Winner of the Charles C. Eldredge Prize

In this book, Alan Trachtenberg reinterprets some of America's most significant photographs, presenting them not as static images but rather as rich cultural texts suffused with meaning and historical content. Reading American Photographs is lavishly illustrated with the work of such luminaries as Mathew Brady, Timothy O'Sullivan, and Walker Evans--pictures that document the American experience from 1839 to 1938. In an outstanding analysis, Trachtenberg eloquently articulates how the art of photography has both followed and shaped the...

Photography Theory presents forty of the world's most active art historians and theorists, including Victor Burgin, Joel Snyder, Rosalind Krauss, Alan Trachtenberg, Geoffrey Batchen, Carol Squiers, Margaret Iversen and Abigail Solomon-Godeau in animated debate on the nature of photography.

Photography has been around for nearly two centuries, but we are no closer to understanding what it is. For some people, a photograph is an optically accurate impression of the world, for others, it is mainly a way of remembering people and places. Some view it as a sign of bourgeois...

Photography Theory presents forty of the world's most active art historians and theorists, including Victor Burgin, Joel Snyder, Rosalind Krauss, Alan Trachtenberg, Geoffrey Batchen, Carol Squiers, Margaret Iversen and Abigail Solomon-Godeau in animated debate on the nature of photography.

Photography has been around for nearly two centuries, but we are no closer to understanding what it is. For some people, a photograph is an optically accurate impression of the world, for others, it is mainly a way of remembering people and places. Some view it as a sign of bourgeois...

Second only to Mathew Brady as the foremost early American photographer was Alexander Gardner, the one-time manager of Brady's Washington salon and Brady's chief photographer in the field during the early days of the Civil War.
Indeed, Gardner -- who later photographed the War independently -- often managed the famous horse-drawn photographic laboratory and took many of the pictures that used to be attributed to Brady. He accompanied the Union troops on their marches, their camps and bivouacs, their battles, and on their many hasty retreats and routs during the early days of the...

To many, the North is a familiar but inaccessible place. Yet images of the region are within easy reach, in magazine racks, on our coffee tables, and on television, computer, and movie screens. In Northern Exposures, Peter Geller uncovers the history behind these popular conceptions of the Canadian North.

This book examines the photographic and film practice of the Canadian government, the Anglican Church of Canada, and the Hudson's Bay Company, the three major colonial institutions involved in the arctic and sub-arctic. In the first half of the twentieth century, visual...

From the early daguerreotype to the rise of the motion picture, Images and Enterprise explores the business, technical, and social factors that transformed the American photographic industry between 1839 and 1925. Reese Jenkins's prize-winning history traces the technical changes that culminated in George Eastman's creation of the Kodak system of amateur photography in the 1880s. Its compact, simply operated cameras would revolutionize an entire industry--even if at first the whole camera had to be mailed back to the company for developing and reloading. Images and Enterprise...