Kategoria BISAC: Photography >> Criticism

This book documents my research at the MoMA Library looking at, among other things, Edward Ruscha's artist's books. Through writing, thumbnail sketches and photographs, I explain how I accidentally became obsessed with Ruscha's Twenty-six Gasoline Stations, a photobook that follows Route 66 between Oklahoma and Los Angeles. In response to Ruscha's book, I created the photo series Twenty-six Views from the 7 Train, which follows the train route between the MoMA QNS Library where I was visiting Ruscha's book and my (temporary) NYC apartment. Ruscha's book documents gas stations - markers...

Conceptual, Surrealist, Pictorial is the first in-depth study of the use of photography by Belgian artists from the 1960s until the early 1990s. During these three decades, photography generally underwent a major evolution with regard to its status as a gallery-focused fine art practice. Liesbeth Decan explores ten representative case studies, which are contextualized within and compared with contemporary international artistic trends. Successively, she addresses the pioneering use of photography within Conceptual art (represented by Marcel Broodthaers, Jacques Charlier, and...

It covers an incredible array of talent, from the unknowns of the late 19th century to the acknowledged masters of the 20th, such as Atget, Stieglitz, Strand, Cartier-Bresson, Brassai, Kertesz, Frank, Arbus, Winogrand, and Levitt to name just a few.

In this new and fully revised edition, the story...

Photography's prominence in the representation and experience of India in contemporary and historical times has not guaranteed it a position of sustained attention in research and scholarship. For a technology as all pervasive as photography, and a country as colossal as India, this scenario is somewhat of an anomaly.

Photography in India explores elements of the past, present and future of photography in the context of India through speculation and reflection on photography as an artistic, documentary and everyday practice. The perspectives of writers, theorists, curators...

With the "arrival" of the so-called era of the Anthropocene, certain contemporary theoretical approaches have led us to think that we are only now properly beginning to speculate on an inhuman world that is not for us, as well as confronting our fears and anxieties around ecological, political, social, and philosophical extinction. Reflections on apocalypse and disaster, however, were not foreign to what we historically call romanticism, but in Last Things, Jacques Khalip begins with the "end of things" differently, treating lastness otherwise than either a privation or a...