Kategoria BISAC: Performing Arts >> Individual Director

These interviews cover the career to date of Neil Jordan (b. 1950), easily the most renowned filmmaker working in contemporary Irish cinema. Jordan began as a fiction writer, winning the distinguished Guardian Fiction Prize for his very first book of short stories, Night in Tunisia, in 1976. His film debut was made during the peak of the Troubles in Ireland, and he addresses the sectarian violence head-on in his first outing, Angel (1982). This film also marked Jordan's long-time association with the actor Stephen Rea who has appeared in nine of the director's films and is...

With her gripping film The Hurt Locker, Kathryn Bigelow (b. 1951) made history in 2010 by becoming the first woman to win an Oscar for Best Director. Since then she has also filmed history with her latest movie, Zero Dark Thirty, which is about the mission to kill Osama Bin Laden.

She is one of Hollywood's brightest stars, but her roots go back four decades to the very non-Hollywood, avant-garde art world of New York City in the 1970s. Her first feature The Loveless reflected those academic origins, but such subsequent films such as the vampire-Western Near...

Anthony Minghella: Interviews is an illuminating anthology of in-depth conversations with this important contemporary film director and producer. The collection explores Minghella's ideas on every aspect of the cinematic creative process including screenwriting, acting, editing, the use of music in film, and other topics concerning the role of the film director.

Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinema has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the...

"Even if I lived a hundred lives, I still wouldn't be exhausted." These words capture the intensity of the experiences of Claude Lanzmann, a man whose acts have always been a negation of resignation: a member of the French Resistance at sixteen, a friend to Jean-Paul Sartre and a lover to Simone de Beauvoir, and the director of movies including one of the most important films in the history of cinema, Shoah.

In these pages, Lanzmann composes a hymn to life that flows from memory yet has the rhythm of a novel, as tumultuous as it is energetic. The Patagonian Hare is the...

Raoul Walsh (1887--1980) was known as one of Hollywood's most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors -- along with John Ford and Howard Hawks -- who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh's generation invented a Hollywood that made movies seem bigger than life itself.

In the first ever full-length biography of Raoul...

Peter Weir: Interviews is the first volume of interviews to be published on the esteemed Australian director. Although Weir (b. 1944) has acquired a reputation of being guarded about his life and work, these interviews by archivists, journalists, historians, and colleagues reveal him to be a most amiable and forthcoming subject. He talks about -the precious desperation of the art, the madness, the willingness to experiment- in all his films; the adaptation process from novel to film, when he tells a scriptwriter, -I'm going to eat your script; it's going to be part of my blood -;...

This collection of critical essays offers an unrivalled and up-to-the-minute assessment of the prolific and resilient life and vision of one of cinema's greatest auteurs.

• The first edited collection of essays on Fritz Lang's body of work in over thirty years
• A comprehensive assessment of one of cinema's most influential figures
• Brings together key scholars, including Tom Gunning and Chris Fujiwara, to share their latest insights
• Features translated contributions from writers rarely rendered in English such as Nicole Brenez and Paolo Berletto
...

The Cinema of Sergei Parajanov is the first...

This is the first book on Jean-Pierre Jeunet, the popular and critically acclaimed director of films such as Amelie, Delicatessen, A Very Long Engagement, Alien Resurrection, and City of Lost Children. Jeunet's work exemplifies Europe's engagement with Hollywood, while at the same time making him a figurehead of the critically overlooked, specifically French tradition of the cinema of the fantastic.

Having garnered both commercial success and critical esteem in genres such as science fiction, fantasy, romantic comedy, and the war epic, Jeunet's work nevertheless...

For Francois Truffaut, the lost secret of cinematic art is in the ability to generate emotion and reveal repressed fantasies through cinematic representation. Available in English for the first time, Anne Gillain's Francois Truffaut: The Lost Secret is considered by many to be the best book on the interpretation of Truffaut's films. Taking a psycho-biographical approach, Gillain shows how Truffaut's creative impulse was anchored in his personal experience of a traumatic childhood that left him lonely and emotionally deprived. In a series of brilliant, nuanced readings of each of his films,...

A massive underground sensation, The Big Lebowski has been hailed as the first cult film of the internet age. In this book, 21 fans and scholars address the film's influences--westerns, noir, grail legends, the 1960s, and Fluxus--and its historical connections to the first Iraq war, boomers, slackerdom, surrealism, college culture, and of course bowling. The Year's Work in Lebowski Studies contains neither arid analyses nor lectures for the late-night crowd, but new ways of thinking and writing about film culture.

Pedro Almodovar's films--such as Women on the Verge of a Nervous Breakdown, Tie Me Up Tie Me Down , All About My Mother, and Talk to Her, to name a few--are colorful and deeply felt celebrations of life and love. The influence of these works, which have been feted around the world, has been immense, and Almodovar on Almodovar tells the personal story of the man and his wonderfully vivid and outrageous vision.

Almodovar came of age during an austere time in rural Spain: the 1950s, the age of the Cold War, of mambo, of Balenciaga, of the Korean War,...