Kategoria BISAC: Performing Arts >> Individual Director

John Singleton (b. 1968) rocketed from obscurity to the top ranks of Hollywood directors in 1991, when he released his debut film Boyz N the Hood. The poignant coming-of-age story, set in the streets of south central Los Angeles, where Singleton grew up amid gang violence and hip-hop music, earned him Oscar nominations for best original screenplay and best directing. Only twenty-three at the time, he was hailed as a wunderkind and compared to the young Orson Welles. Some have credited him with the mainstreaming of hip-hop music and style in cinema.

John Singleton:...

The films of Jonathan Demme (b. 1944) reflect his ebullient personality and are often infused with his love for Caribbean culture, pop music, fashion, and characters who reveal offbeat tastes and depths. He emerged from the 1970s American Renaissance that produced Robert Altman, Francis Ford Coppola, Steven Spielberg, Martin Scorsese, Brian De Palma, and others. His movies are funny, humane, and often unclassifiable by genre.

With conversations from the 1970s to the present, Jonathan Demme: Interviews focuses on Demme's artistry, on his filmmaking philosophy, and especially on...

Academy Award--winning director Martin Scorsese is one of the most significant American filmmakers in the history of cinema. Although best known for his movies about gangsters and violence, such as Mean Streets, Goodfellas, Casino, and Taxi Driver, Scorsese has addressed a much wider range of themes and topics in the four decades of his career. In The Philosophy of Martin Scorsese, an impressive cast of contributors explores the complex themes and philosophical underpinnings of Martin Scorsese's films. The essays concerning Scorsese's films about crime and violence investigate the nature...

The Brothers Coen: Unique Characters of Violence spans the career of the two-time Oscar-winning producer/director team, exploring the theme of violence that runs through a genre-spanning body of work, from the neo-noir of Blood Simple to the brutal comedy Burn After Reading (2008).

In chapters focusing on major characters, Ryan Doom looks at the chaotic cinematic universe of the Coens, where violent acts inevitably have devastating, unintended consequences. The remarkable gallery of Coen characters are all here: hardboiled gangster Tom Regan from...

Best known as an iconoclastic, wildly inventive filmmaker, Derek Jarman was also an accomplished author, painter, and landscape artist. In Derek Jarman's Angelic Conversations, Jim Ellis considers Jarman's wide-ranging oeuvre to present a broad perspective on the career and life of one of the most provocative, engaged, and important artists of the twentieth century.

Derek Jarman's Angelic Conversations analyzes Jarman's work-including his famous films Caravaggio, Jubilee, Edward II, Blue, and Sebastiane-in relation to his critiques of the government and his activism in...

Best known as an iconoclastic, wildly inventive filmmaker, Derek Jarman was also an accomplished author, painter, and landscape artist. In Derek Jarman's Angelic Conversations, Jim Ellis considers Jarman's wide-ranging oeuvre to present a broad perspective on the career and life of one of the most provocative, engaged, and important artists of the twentieth century.

Derek Jarman's Angelic Conversations analyzes Jarman's work-including his famous films Caravaggio, Jubilee, Edward II, Blue, and Sebastiane-in relation to his critiques of the government and his activism in...

Taking its cues from the cinematic innovations of the controversial Austrian-born director Michael Haneke, Funny Frames explores how a political thinking manifests itself in his work.

The book is divided into two parts. In the first, Oliver C. Speck explores some of Haneke's Deleuzian traits - showing how the theoretical concepts of the virtual, of filmic space and of realism can be useful tools for unlocking the problems that Haneke formulates and solves through filmic means. In the second, Speck discusses a range of topics that appear in all of...

Four-time winner at the Cannes Film Festival, Canadian filmmaker Atom Egoyan (b. 1960) began his career while still an undergraduate at the University of Toronto. His first love was playwriting, but he began to see that he could investigate themes emotionally through film- that the camera could play a role. He learned his craft in his own independent films and by directing television episodes before attempting his first feature film, Next of Kin (1984). There he explored the themes of family and identity that continue to interest him today.

A frequent winner at film festivals,...

Four-time winner at the Cannes Film Festival, Canadian filmmaker Atom Egoyan (b. 1960) began his career while still an undergraduate at the University of Toronto. His first love was playwriting, but he began to see that he could investigate themes emotionally through film- that the camera could play a role. He learned his craft in his own independent films and by directing television episodes before attempting his first feature film, Next of Kin (1984). There he explored the themes of family and identity that continue to interest him today.

A frequent winner at film festivals,...