Kategoria BISAC: Performing Arts >> Comedy

Will Rogers and Florenz Ziegfeld are two magic names in show business. Today Rogers is considered America's most beloved humorist, while Ziegfeld is recognized as the most flamboyant impresario in the history of the American musical theatre.

Rogers was one of Ziegfeld's greatest comedy stars, performing in six editions of the Follies from 1916 to 1925. "Ziggy gave me my start," he once said. It was on the Follies stage that he began to joke extensively about current events and to poke fun at celebrities.

Will Rogers at the Ziegfeld Follies features the humorist's writings and poignant...

Between 1904 and 1908, Rogers made the transition from Wild West shows to the vaudeville stage. During these early years, he developed and polished his act, blending his homespun humor with his cowboy skills of roping and horseback riding to the delight of his audience. At the same time he began courting Betty Blake, his future wife. Their on-again, off-again relationship matured as Rogers was...

How do contemporary American female comics perform onstage, and what does this performance reveal about power relations in our culture as well as the existence of a "female" and, more specifically, "feminist" genre of stand-up comedy? In this long overdue study of women and stand-up comedy, Joanne R. Gilbert explores these questions in order to illuminate the social, political, and cultural implications of power and gender in popular entertainment.

Gilbert's research recognizes the problems that arise from assumptions made about the genres of "female" and "feminist" humor and...

• Most comprehensive social and critical history of American television comedy
• Very engaging, lucid and entertaining writing style
• Approaches social criticism without being too scholarly and pedantic

On both sides of the stage improv-comedy's popularity has increased exponentially throughout the 1980s and '90s and into the new millennium. Presto An original song is created out of thin air. With nothing but a suggestion from the audience, daring young improvisers working without a net or a script create hilarious characters, sketches, and songs. Thrilled by the danger, the immediacy, and the virtuosity of improv-comedy, spectators laugh and cheer.

American improv-comedy burst onto the scene in the 1950s with Chicago's the Compass Players (best known for the brilliant comedy duo Mike...