Kategoria BISAC: Performing Arts >> Theater - Direction & Production

A warm, witty tell-all and history of American regional theater, from one of our best-loved directors

For Jack O'Brien, there's nothing like a first encounter with a great performer, nothing like the sound of an audience bursting into applause. In short, there's nothing like the theater.
Following a fairly normal Midwestern childhood, O'Brien hoped to make his mark by writing lyrics for Broadway but was instead pulled into the growing American regional theater movement by the likes of John Houseman, Helen Hayes, Ellis Rabb, and Eva Le Gallienne. He didn't...

From the diverse proto-theatres of the mid-1800s, though the revues of the '20s, the 'true musicals' of the '40s, the politicisation of the '60s and the 'mega-musicals' of the '80s, every era in American musical theatre reflected a unique set of socio-cultural factors.　

Nathan Hurwitz uses these factors to explain the output of each decade in turn, showing how the most popular productions spoke directly to the audiences of the time. He explores the function of musical theatre as commerce, tying each big success to the social and economic realities in which it...

Much Ado, written by award-winning journalist Michael Lenehan, gives readers an intimate, behind-the-scenes look at the lauded American Players Theatre's 2014 production of William Shakespeare's Much Ado About Nothing.

Wall Street Journal drama critic Terry Teachout has called the APT--based in the unassuming town of Spring Green, Wisconsin--"the best classical theater company in America." It's also one of the most successful, with an annual budget of $6 million and ticket sales of more than 100,000 each season....

Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in various gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski s Akropolis and Tadeusz Kantor s Dead Class . By examining each director s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside their...