Kategoria BISAC: Performing Arts >> Theater - General

Focusing on three diverse indigenous traditions, Native American Religious Traditions highlights the　distinct oral traditions and ceremonial practices; the impact of colonialism on religious life; and the ways in which indigenous communities of North America have responded, and continue to respond, to colonialism and Euroamerican cultural hegemony.

The Encyclopedia's inclusive approach encompasses opera and film, dance and radio, and para-theatrical, non-dramatic performances including circuses and carnivals, and parades and public executions--providing truly extensive coverage from ancient Greek theatre to the latest developments in London,...

Though there have been many histories of the theater and specifically the theatrical musical, none has done quite what Musical Theater and American Culture achieves: it explores how the musical emerged in the late-18th and 19th centuries as a specifically American form of entertainment and went on to become a powerful medium of popular and political collective expression, articulating the tensions and reconciliations of everyday relations between individuals and society. Intimately related to the forging of social, cultural, and political American identities, the musical--often...

The author discusses human limitations, power of character, wills in conflict, dramatic action, the writing, play structure, and other relevant subjects in this playwriting manual.

This multifaceted study, the companion volume to Leiter's "From Stanislavsky to Barrault: Representative Directors of the European Stage" (Greenwood Press, 1991), provides exhaustively detailed, yet compact accounts of the careers and accomplishments of eight outstanding directors of the English-speaking stage as well as separate, thorough bibliographies and chronologies of each. Samuel L. Leiter selected directors David Belasco, Harley Granville-Barker, George Abbott, Sir Tyrone Guthrie, Margaret Webster, Elia Kazan, Joan Littlewood, and Peter Brook as exemplars of the broad spectrum of...

Few theatre aficionados, even theatre historians, could come up with the names of many actresses known for serious dramatic roles before the 1950s brought Ruby Dee and other stars to the fore. The road to the professional dramatic stage was not easily traveled by Black actresses, but some did make the transition from minstrels and musicals to drama beginning at the turn of the century. For the most part even those who achieved significant critical acclaim were omitted from the annals of American theatre history.

In this first study specifically on early Black actresses, Jo...

This compendium opens the stagedoor for those with little or no practical experience in acting. For actors and other theatre specialists grappling with the challenges posed by performing or staging the works of the great Bard, here is useful instruction eloquently expressed that will enrich future interpretation and performance. "On Playing Shakespeare" takes advantage of the long tradition of Shakespearean acting by offering a rich treasury of writings by noted actors who have essayed Shakespearean roles in the past. The perspectives of these thespians offer comprehensive exposure to the...

A one-stop, up-to-date source for information on the history of the American musical theatre, "Stage It with Music" packs an astonishing quantity and variety of facts as well as insights and anecdotes into a convenient dictionary format. Coverage extends from the genre's nineteenth century beginnings to the present day, from "The Black Crook" (1866) to "Jelly's Last Jam" (1992). Included are entries on over 300 individual shows, musical series, performers, composers, lyricists, librettists, directors, designers, music directors, orchestrators, choreographers, producers, producing companies...

During the past century, the interpretation given by the various directors staging Greek drama has varied, and the critical reception accorded the productions has also altered. While the texts of Aeschylus, Sophocles, and Euripides remain constant, the meanings drawn from their plays do not. The director who decides to offer a Greek tragedy in the modern American commercial theater believes in the ability of the text to reach the contemporary audience, and the reviewers assess the success of the venture: their words become a record of both a particular performance and the time in which it...