Kategoria BISAC: Performing Arts >> Television - History & Criticism

Even though soap opera commands a vast and loyal audience, it has been trivialized by the mainstream media and even libeled as a form of pornography designed to keep women in their place. In this incisive defense of a much-maligned genre, Martha Nochimson demonstrates how soap opera validates an essentially feminine perspective and responds to complex issues of women's desires and power by...

On January 9th, I started an Internet message board thread under the assumed alias of "ChillOne," and debriefed my intelligence, "would-be" confidential information that I uncovered while vacationing in the Brazilian Amazon, including contestant names, game dynamics, location details, and Tribal Council "boot order." In that report, I named Matt Von Ertfelda and Jenna Morasca as the two...

The complete scripts from the four Monty Python series, first shown on BBC television between 1969 and 1974, have been collected in two companion volumes.
Characters' names, often not spoken, are given as in the original scripts, along with the names of the actual performer added on their first appearance in each sketch.
This first volume contains twenty-three classic episodes, featuring some of the most entertaining writing to have gone into television anywhere. The minister of silly walks, the dead parrot, banter in a cheese shop - here is every silly, satirical skit, every snide...

This book examines the representation of blackness on television at the height of the southern civil rights movement and again in the aftermath of the Reagan-Bush years. In the process, it looks carefully at how television's ideological projects with respect to race have supported or conflicted with the industry's incentive to maximize profits or consolidate power.

Sasha Torres examines the complex relations between the television industry and the civil rights movement as a knot of overlapping interests. She argues that television coverage of the civil rights movement during...

From 1989 to 1991, Barry Dornfeld had an unusual double role on the crew of the major PBS documentary series Childhood. As a researcher for the series, he investigated the relationship between children and media. As an anthropologist, however, his subject was the television production process itself--examining, for example, how producers developed the series, negotiated with their academic advisors, and shaped footage shot around the world into seven programs. He presents the results of his fieldwork in this groundbreaking study--one of the first to take an ethnographic approach to...

"If it bleeds, it leads." The phrase captures television news directors' famed preference for opening newscasts with the most violent stories they can find. And what is true for news is often true for entertainment programming, where violence is used as a product to attract both viewers and sponsors. In this book, James Hamilton presents the first major theoretical and empirical examination of the market for television violence.

Hamilton approaches television violence in the same way that other economists approach the problem of pollution: that is, as an example of market...

Nadel depicts a time when television effectively hijacked and monopolized the nation's vision of itself to create a virtual but severely distorted civic space. On Cold War TV's three channels...