Kategoria BISAC: Performing Arts >> Television - History & Criticism

From "classy" shows like Oprah to "trashy" shows like Jerry Springer, the key to a talk show's success is what Laura Grindstaff calls the money shot--moments when guests lose control and express joy, sorrow, rage, or remorse on camera. In this new work, Grindstaff takes us behind the scenes of daytime television talk shows, a genre focused on...

Media historian Gary R. Edgerton follows the technological developments and increasing cultural relevance of TV from its prehistory (before 1947) to the Network Era (1948-1975) and the Cable Era (1976-1994). He begins with the...

To the unjaded viewership of Cold War America, the television set was not a harbinger of intellectual degradation and moral decay,...

To the unjaded viewership of Cold War America, the television set was not a harbinger of intellectual degradation and moral decay,...

Every day millions of Americans tune in to a newscast on one of their local television stations to learn what is new in their community. In fact, more people watch local news than network news, but surprisingly little is known about the early days of television when stations across the country searched for ways to do news in the new medium. In Broadcasting the Local News, Lynn Boyd Hinds, a former Pittsburgh broadcaster, introduces us to one station--KDKA-TV--which literally invented television news in Pittsburgh.

Television came to Pittsburgh in 1949 when WDTV (the...

This book offers an interpretation of the myths that shape television images and reinforce this culture's dominant ideology. It provides histories of all television genres and connects developments within each genre to political, social, and cultural shifts in the larger society. This new Second Edition updates the previous edition's close textual analysis of representative series and serials to mid-1993, reflecting the significant changes that have occurred in both the business of television in the United States and in the larger society's dominant ideology. The Second Edition also...

Television news made meteoric progress in the 1950s. It rose from being a plaything for the rich to a major factor in informing the American public, and an aggressive rival to newspapers, radio, and news magazines. This volume is an insider's account of the arduous and frequently critical steps undertaken by inexperienced staffs in the development of television news, documentaries, and sports broadcasts. The author, the first president of CBS News, provides a treasure trove of facts and anecdotes about plotting in the corridors, the ascendancy of stars, and the retirement into oblivion of...

Using journalists' own standards as the measure, an exhaustive analysis of nearly 3000 network news reports from the Reagan, Bush, and Clinton administrations reveals that the networks may do more to misinform than inform on a whole range of complex issues related to national defense. This study paints a disturbing picture of the inadequate coverage ABC World News Tonight, CBS Evening News, and NBC Nightly News provide to millions of viewers each night. Aubin concludes that network coverage of defense issues was too often tainted by preconceived attitudes and lapses in journalistic...

"Love, Light, and a Dream" is a timely and provocative look at the medium of television as one of the cultural vehicles carrying us toward the 21st century. It provides an up-to-the-minute review of developments and trends shaping the policy and regulatory issues that exert the strongest influence on the evolution of information technology.

Topics covered in this study include the Federal Communications Commission and its role as a regulatory body, the relationship between cable services and telephone systems as information providers, television advertising campaigns and the structure...

Reality programming--a broad title for unscripted shows that involve non-actors--is really an updated version of a classic television genre that had its first successes decades before "The Real World" or "Survivor" made their premieres. NBC launched "Try and Do It," a show in which audience members attempted to complete tasks such as whistling with a mouthful of crackers, in 1949. In the 1950s "Queen for a Day" crowned the most down-trodden of its four contestants, draping her in a sable-trimmed robe and granting a previously declared wish. The wild success reality television has achieved...

Christmas just isn't Christmas without Christmas on TV. Whether it's the made-for-television specials of Rudolph the Red-Nosed Reindeer and Frosty the Snowman, a M*A*S*H* Christmas in Korea, Kramer playing Santa on Seinfeld, or the annual holiday disaster on The Simpsons or South Park, television's many representations of this beloved holiday have become as essential a part of our holiday season as lights, gifts, or mistletoe. In this entertaining chronicle of television and the Christmas season, former Television Critics Association President...

Crime dramas have been a staple of the television landscape since the advent of the medium. Along with comedies and soap operas, the police procedural made an easy transition from radio to TV, and starting with "Dragnet" in 1952, quickly became one of the most popular genres. Crime television has proven to be a fascinating reflection of changes and developments in the culture at large. In the '50s and early '60s, the square-jawed, just-the-facts detectives of "The Untouchables" and "The FBI" put police work in the best light possible. As the '60s gave way to the '70s, however, the...

Since late evening cartoons first aired in 1960, prime-time animated series have had a profound effect on American television and American culture at large. The characters and motifs from such shows as "The Flintstones" and "The Simpsons" are among the best-known images in world popular culture; and tellingly, even series that have not done well in prime time--series like "The Jetsons," for instance--have yielded similarly iconic images. The advent of cable and several new channels devoted exclusively to animated programming have brought old series back to life in syndication, while also...

In the years immediately following World War II, NBC's legendary David Sarnoff and his cross-town equal, CBS's William S. Paley, decided that American television would be identified with quality live drama surrounded by news, light entertainment (in the form of variety and quiz shows), and family-oriented series generally spun off from radio. That initial vision eroded over the years and decades, but the dramatic part of this equation endured well into the 1960s, when, with NBC's Project 120 (which commissioned movies expressly for television in 120-minute doses), the genres known as...

Tracing public and critical responses to TV from its pioneering days, this book gathers and gives context to the reactions of those who saw television's early broadcasts--from the privileged few who witnessed experimental and limited-schedule programming in the 1920s and 1930s, to those who bought TV sets and hoisted antennae in the post-World War II television boom, to still more who invested in color receivers and cable subscriptions in the 1960s. While the first two major sections of this study show the views of television's first broad public, the third section shows how social and...