Kategoria BISAC: Performing Arts >> Television - General

Completely up to date with relevant information on digital technology and HD TV, this is the only title to focus specifically on television production management, and presents an easily accessible and authoritative guide to the area.

Production Management for Television provides a reliable, factual and theoretical framework for an understanding of production management. It includes a reference directory of agencies and organizations, and addresses and contacts for training.

Subjects covered include:

- the main responsibilities of the production manager
-...

The traditional documentary programming of network television's bygone era has given way to the recent explosion of ratings-driven, personality-based news magazine programming. While ostensibly conforming to a high standard of public service, these magazines, as even some of their producers admit, must succumb to the forces of public appetite and profit maximization in order to be competitive.

This study examines this phenomenon of the electronic magazine and shows how the soft news programs affect the public's view of American politics and culture. Maintaining the distinction between...

TV shows that retain their popularity over the years do so for obvious reasons: good production values, good acting, and compelling storylines. But detective stories in particular also endure because they appeal to the gumshoe in all of us. America is obsessed with crime solving. Nancy Grace on CNN Headline News, Greta Van Susteren on Fox, and the seemingly annual recurrence of the courtroom sensation all testify to this fact. And these people and cases are able to reach their phenomenal status not simply because of the media-the media only demonstrates the enormous national...

Television has always augmented its dramatic and variety programming with sports. After covering wrestling and boxing matches for several years, ABC added the hugely popular Roller Derby between 1949 and 1951, and later, college and pro football. Today, there is a multitude of pay and cable networks devoted exclusively to baseball, football, golf, hockey, tennis, ice-skating, and auto racing. Rather than focusing on live sports broadcasts, however, this book chronicles the history of sports-themed comedies and dramas, to see how our national fictions have affected our authentic sports...

This book uses a social worlda "today's undergraduate students' ubiquitous everyday experience of televisiona "as a vehicle for helping awaken students to the true possibilities for learning and their responsibilities inherent in achieving those goals. The book also introduces students to the social construction of reality embedded in the experience of TV. The lead author Barney McGrane is one of the most accomplished and successful teachers of sociology in the United States today and is also the co-author with John Gunderson and the late Inge Bell of the classic book for teaching This...

Daytime soap operas. Evening news. Late-night talk shows. Television has long been defined by its daily schedule, and the viewing habits that develop around it. Technologies like DVRs, iPods, and online video have freed audiences from rigid time constraints--we no longer have to wait for a program to be "on" to watch it--but scheduling still plays a major role in the production of television.

Prime-time series programming between 8:00 and 11:00 p.m. has dominated most critical discussion about television since its beginnings, but Beyond Prime Time brings together leading...

Burns and Thompson help to remedy the lack of a forum for current research on television by bringing together, in this volume, some of the best recent research in television studies. This work will begin to fill the gap in literature on television studies as a discipline. In compiling these 13 papers, the editors maintain a balance of timely interest and lasting relevance. The contributors study the texts of current TV dramatic and comic series, such as Dallas and Cheers, as well as current trends in nonfiction TV, such as network and local news coverage. Each analysis of a specific...

The latest addition to the "Media and Society Series," "Meanings of the Medium" takes a new approach to the study of the past, present, and future of television. Most of its authors are not media experts but literary critics, philosophers, rhetoricians, and historians. They use their unique skills to examine three interwoven themes: the origin and meaning of American attitudes toward television, the relationship between high art and television's popular art, and the relationship between particular kinds of programs and the audience's sensibilities. Stressing an aesthetic and historical...

Studying the increasingly powerful role television plays in the political process, Fredric T. Smoller offers a persuasive argument that the big three network coverage of the presidency is gradually eroding public support for and confidence in that office. This book argues that network coverage of the presidency is determined by the political, technical, and commercial nature of the medium itself, producing a bias toward extensive and negative coverage. Smoller studies the thematic nature of television's presidential coverage, demonstrating how producers and correspondents integrate their...

Soap opera story, the only mass-public form of continuing narrative today, is oral culture for our electronic era. Carol Williams' It's Time for My Story is an examination of soap opera sources, structure, and response, particularly from the critical viewpoints of psychology, both archetypal and empirical, and popular culture, specifically narratology and feminism, that uncover the true nature of the genre.

First, Williams traces the development of soap opera from its immediate source in radio and television as well as from its fundamental source in age-old myth and storytelling. Then...

This book is about how TV makers--notably writers, producers, and network programmers--are deeply influenced by public pressures outside their craft. Many scholars assume that the relationship between society and television is one-way, that the traffic of influence moves from the content of a program to the behavior of those who view it, and that if a show is too exploitative or violent or stereotypical, it transforms the minds of those who watch it in some manner. Authors Selnow and Gilbert maintain that the one-way influence is only half-true. Even as television makes its impact on...

This is an exciting inside look at the professional careers of America's leading cultural TV directors. Merrill Brockway, Kirk Browning, and Roger Englander have directed some of television's most memorable programming, including "Dance in America," the Arturo Toscanini concerts, "Amahl and the Night Visitors," "Live from Lincoln Center," and the "Young People's Concerts" with Leonard Bernstein. Together, they revolutionized the way television covers music, dance, opera, and theater. In interviews with TV historian Brian Rose, they offer an engaging survey of five decades of American...