Kategoria BISAC: Performing Arts >> Film - Screenwriting

Words into Images: Screenwriters on the Studio System is an engaging look into the inner workings of Hollywood's big studio system as experienced by thirteen veteran screenwriters. All taped between 1980 and 1991 and all previously unpublished, these interviews are novel and insightful. Interviewer Ronald L. Davis draws the screenwriters into explorations of a broad range of topics, including studio politics, production problems, frustrations caused by directors and producers, and the contributions and difficulties presented by movie stars.

In most cases, these writers were...

The Brothers Coen: Unique Characters of Violence spans the career of the two-time Oscar-winning producer/director team, exploring the theme of violence that runs through a genre-spanning body of work, from the neo-noir of Blood Simple to the brutal comedy Burn After Reading (2008).

In chapters focusing on major characters, Ryan Doom looks at the chaotic cinematic universe of the Coens, where violent acts inevitably have devastating, unintended consequences. The remarkable gallery of Coen characters are all here: hardboiled gangster Tom Regan from...

When identical twin brothers Logan and Noah Miller's homeless father died alone in a jail cell, they vowed, come hell or high water, that their film, Touching Home, would be made as a dedication to their love for him. Either You're in or You're in the Way is the amazing story of how -- without a dime to their name nor a single meaningful contact in Hollywood -- they managed to write, produce, direct, and act in a feature film alongside four-time Academy Award nominated actor Ed Harris and fellow nominees Brad Dourif and Robert Forster.

Either You're in or You're...

Script mechanic and sitcom-writing instructor Marc Blake strips down the sitcom into its component parts and provides a one-of-a-kind how-to guide for aspiring writers and media professionals for one of the most difficult and demanding genres on TV.

The book first identifies the known pitfalls in concept, characterization, plotting, and dramatic/comedic writing that cause the thousands of scripts submitted every year to producers to be sent to the rejection pile. Then each component point is illustrated with an example of both the error and with practical suggestions and exercises for...

Nominated for a nonfiction Edgar Allan Poe Award from the Mystery Writers of America, "Scripting Hitchcock" explores the collaborative process between Alfred Hitchcock and the screenwriters he hired to write the scripts for three of his greatest films: "Psycho, The Birds, " and "Marnie." Drawing from extensive interviews with the screenwriters and other film technicians who worked for Hitchcock, Walter Raubicheck and Walter Srebnick illustrate how much of the filmmaking process took place not on the set or in front of the camera, but in the adaptation of the sources, the mutual creation of...

At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's tradional blend of business and art. This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly...

A rich companion volume to George Stevens, Jr.'s much admired book of American Film Institute seminars with the pioneering moviemakers of Hollywood's Golden Age, this time with a focus on filmmakers of the 1950s to present day.
"The Next Generation" brings together conversations with moviemakers at work from the 1950s--during the studios' decline--to today's Hollywood. Directors, producers, writers, actors, cinematographers, composers, film editors, and independent filmmakers appear within these pages, including Steven Spielberg, Nora Ephron, George Lucas, Sidney Poitier, Meryl Streep,...

Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space offers an extended discussion of the morphology and structure of compositing, graphic juxtapositions, and montage employed in motion pictures. Drawing from the history of avant-garde and commercial cinema, as well as studio-based research, here media artist and theorist Michael Betancourt critiques cinematic realism and spatial montage in motion pictures. This new taxonomic framework for conceptualizing linkages between media art and narrative cinema opens new areas of experimentation for today s...