Kategoria BISAC: Performing Arts >> Film - History & Criticism

In late 1995, the drama Heaven Above (Cangtian zaishang) debuted on Chinese TV. The series featured a villainous high-ranked government official and was the first of the wildly popular corruption dramas that have riveted the nation ever since. Staging Corruption looks at the rise, fall, and reincarnation of corruption dramas, and their articulation of the collective dreams, and nightmares, of China in the market reform era. It also considers how these dramas, as products of the interplay between television stations, production companies, media regulation, and political...

Breaking from dominant wisdom that casts the trend as wholly defined by Ronald Reagan's politics or the rise of postmodernism, Back to the Fifties reveals how Fifties nostalgia from 1973 to 1988 was utilized by a range of audiences for diverse and often competing agendas. Films from American Graffiti to Hairspray and popular music from Sha Na Na to Michael Jackson shaped - and were...

Breaking from dominant wisdom that casts the trend as wholly defined by Ronald Reagan's politics or the rise of postmodernism, Back to the Fifties reveals how Fifties nostalgia from 1973 to 1988 was utilized by a range of audiences for diverse and often competing agendas. Films from American Graffiti to Hairspray and popular music from Sha Na Na to Michael Jackson shaped - and were...

Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn't drugs, alcohol, or sex: it was film. After moving to Los Angeles, Oswalt became a huge film buff (or as he...

This exacting study makes the case that a diverse range of theatre, film and activism engaged in the portrayal or participation of asylum seekers and refugees since 2001 has been informed by and contributed to the consolidation of irregular noncitizenship as a cornerstone idea in contemporary Australian political and social life. This idea has been reified as a direct consequence of the asylum seeker related public discourse that has been prominent in twenty-first century Australia, to the extent that it has become impossible to imagine what Australia means without it. Performing...

Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which...

Known for his visual style as well as for his experimentation in virtually every genre of narrative cinema, award-winning director Sidney J. Furie also has the distinction of having made Canada's first ever feature-length fictional film in English, A Dangerous Age (1957). With a body of work that includes The Ipcress File (1965), Lady Sings the Blues (1972), and The Entity (1982), he has collaborated with major stars such as Marlon Brando, Frank Sinatra, Robert Redford, and Michael Caine, and his films have inspired some of Hollywood's most celebrated directors,...

In recent years, technology has given films of the silent era and their creators a second life as new processes have eased their restoration and distribution. Among the films benefitting from these developments are the works of director Albert Capellani (1874--1931), whose oeuvre was instrumental in the development of cinema in the early 1900s and whose contributions rival those of D. W. Griffith.

For the first time in English, Christine Leteux's essential biography of Capellani offers a detailed assessment of the groundbreaking director. Capellani began his career in France at what...