Kategoria BISAC: Performing Arts >> Film - Direction & Production

With a "crooked stick," filmmaker Oscar Micheaux (1884-1951) sought to hit a "straight lick" by stressing the strategic importance of class mobility, or "uplift," for African Americans. A theme in all of his more than 40 feature-length, black-produced, black-directed, black-cast, and black-audience films, uplift would allow for the better things in life: fast cars and fancy clothes, freedom of belief, financial security, and an unencumbered intellectual life. Although racism was an impediment to uplift for Micheaux and other African Americans, race as a category was of a secondary order...

In Beyond Casablanca, Kevin Dwyer explores the problems of creativity in the Arab and African world, focusing on Moroccan cinema and one of its key figures, filmmaker M. A. Tazi. Dwyer develops three themes simultaneously: the filmmaker's career and films; filmmaking in postcolonial Morocco; and the relationship between Moroccan cinema, Third World and Arab cinema, and the global film industry. This compelling discussion of Moroccan cinema is founded upon decades of anthropological research in Morocco, most recently on the Moroccan film sector and the global film industry, and exhibits a...

"The elegant, graceful, and deeply humanistic cinema of Gosho Heinosuke has found its perfect English-language explication in this equally elegant, graceful, and humanistic study by Arthur Nolletti. A director of wide-ranging interests, Gosho was at his strongest in stories of ordinary Japanese life. Like Mizoguchi he had a particular strength and sensitivity to women s issues; like Ozu he was a delicate yet piercing commentator on middle-class life. But he had a voice and style of his own, and Nolletti is careful to define and describe this sensibility in telling detail." David...

A critical examination of the films of Oscar Micheaux.

One of the most original and successful filmmakers of all time, Oscar Micheaux was born into a rural, working-class, African-American family in mid-America in 1884, yet he created an impressive legacy in commercial cinema. Between 1913 and 1951 he wrote, directed, and distributed some forty-three feature films, more than any other black filmmaker in the world, a record of production that is likely to stand for a very long time.

Micheaux's work was founded upon the concern for class mobility, or uplift, for African...

With 26 films to his credit and numerous international prizes, Satyajit Ray is India's most recognized filmmaker--yet, no extended study of his films has previouly been published in English in the West. Ben Nyce examines each of Ray's films in close detail and provides a cinematic examination of his unique style. Nyce explores Ray's career chronologically to best chart his stylistic development as a filmaker. Each chapter considers one film and how it expressed the particular quality of rhythm and mood which characterizes his work. Narrative synopses are first presented, and the opinions...

Quart here extends her previous writings on what she terms the best narrative cinema: women-centered cinema' and feminist filmmaking. Quart addresses American, Western European, and Eastern European directors, closing with Third World examples. Arguing that independent filmmaking best serves the quest for a woman's voice and vision, Quart chronicles the survival of women directors. She traces a heritage of women directors inside the Hollywood system and beyond. . . . This excellent study . . . is] recommended for undergraduates in film and women's studies. Choice

The...

Independent director and screenwriter John Andrew Gallagher, interviews 21 filmmakers on the craft of motion picture directing. Francois Truffaut, the late great French director, as well as Michael Cimino, Ulu Grosbard, Dennis Hopper, Alan Parker, Susan Seidelman, Joan Micklin Silver and many others reveal behind-the-scenes anecdotes about well known films and stars.

The big gamblers who spend millions per film as well as the colorful low-budget kings provide an intriguing look at the mechanics of filmmaking. Choosing and preparing the screenplay, working with actors and crew,...

By using photography as a storytelling medium, the cinematographer plays a key role in translating a screenplay into images and capturing the director's vision of a film. This volume presents in-depth interviews with 13 prominent cinematographers, who discuss their careers and the art and craft of feature film cinematography. The interviewees--who represent the spectrum of big-budget Hollywood and low-budget independent filmmaking from the sixties through the nineties--talk about their responsibilities, including lighting, camera movement, equipment, cinematic grammar, lenses, film stocks,...

By using photography as a storytelling medium, the cinematographer plays a key role in translating a screenplay into images and capturing the director's vision of a film. This volume presents in-depth interviews with 13 prominent cinematographers, who discuss their careers and the art and craft of feature film cinematography. The interviewees--who represent the spectrum of big-budget Hollywood and low-budget independent filmmaking from the sixties through the nineties--talk about their responsibilities, including lighting, camera movement, equipment, cinematic grammar, lenses, film stocks,...

Hollywood has seen the number of camerawomen quadruple in the past 15 years. "Women Behind the Camera" is the first book to offer an in-depth look at the lives of camerawomen and their struggles to succeed in a male-dominated field. Krasilovsky presents interviews with 23 camerawomen, most of whom are pioneers in Hollywood and whose experiences cover the full range of the Camera Department.

The camerawomen interviewed include all four women Directors of Photography who have achieved membership in the prestigious American Society of Cinematographers, one of the first female camera...

This analysis of the films of Wim Wenders from the early 1970's through the 1990's attempts to place his work in the cultural and political context of the time. Feminist analysis, cultural theory, and psychoanalysis combine to explore the major themes in the films with an emphasis on gender and narrative and on Wenders' concern with the representation of "otherness." Wenders' earlier films reflect concerns with identity and with issues of masculinity and detachment. His later films reveal a preoccupation with seeing, images, and love, which culminated in the international success of "The...

The second edition of Mario Falsetto's extensive analysis of Kubrick's films carefully examines the filmmaker's oeuvre in its entirety--from smaller, early films ("The Killing") through mid-career masterpieces ("Dr. Strangelove; 2001: A Space Odyssey; A Clockwork Orange"), later films such as "Full Metal Jacket," and his final work, 1999's "Eyes Wide Shut." The author, offering close readings supported by precise shot descriptions, shows us how Kubrick's body of work represents a stylistically and thematically consistent cinematic vision, one that merges formal experimentation with great...

The first academic evaluation of the work of this major film director aims to study both his aesthetic achievement and the underlying themes and values he projects. Working within the boundaries of many diverse popular genres, Scott has infused his works with new energy through both a strong formal sense and a cohesive world view. In such films as "Alien," "Blade Runner," "Thelma & Louise," and the recent blockbuster "Gladiator," Scott addresses the tensions between institutions and individuals, passion and reason, and social order and personal freedom--particularly for women, who in...

In a radical new interpretation of the works of Alfred Hitchcock, Christopher Morris argues that suspense--the fundamental component of Hitchcock's cinema--is best understood through deconstruction of the very meaning of the word, which relates to dependence or hanging. He analyzes its portrayal first in painting and sculpture and then in Hitchcock's body of work. In this iconographic tradition, hanging figures challenge the significance of human identity and rationality, and further imply that closure, or an end to suspense, is all but illusory.

This work represents the first...

Despite overwhelming acclaim for his work, director Terrence Malick remains an under-examined figure of an era of filmmaking that also produced such notables as Robert Altman, Francis Ford Coppola, and Martin Scorsese. His films "Badlands" and "Days of Heaven" remain benchmarks of American cinema, while his recent "The Thin Red Line" returned him to the pantheon of American directors. In this new study, authors James Morrison and Thomas Schur examine each of his films in detail, drawing on extensive archival research to construct a portrait of his working methods as a director as well as...

The second edition of Mario Falsetto's extensive analysis of Kubrick's films carefully examines the filmmaker's oeuvre in its entirety--from smaller, early films (The Killing) through mid-career masterpieces (Dr. Strangelove; 2001: A Space Odyssey; A Clockwork Orange), later films such as Full Metal Jacket, and his final work, 1999's Eyes Wide Shut. The author, offering close readings supported by precise shot descriptions, shows us how Kubrick's body of work represents a stylistically and thematically consistent cinematic vision, one that merges formal...

Although women may have found greater film success in the areas of screenwriting, editing, design, and producing, there have been many women whose contributions as directors have been quite significant. In this guide to their careers and films, author Mary Hurd profiles the most noteworthy--from Barbara Kopple and her classic work in the documentary form, to Nora Ephron's insightful retellings of Hollywood's classic stories, to Sophia Coppola's current success in Hollywood. "Women Directors and Their Films" fills an important gap in the literature on the subject, offering a combination of...

The massive investments made in Hollywood today mandate tight studio controls on mainstream cinema. As a result, one must often look to alternative outlets in order to see a movie intended primarily as art--or even as a sincere effort at entertainment--instead of as a simple source of revenue. Foreign and independent movies thus often play the role of bellwether for the Hollywood studios that are unable to experiment themselves: behind the look of the studio smash "Sin City," for instance, was the rigorous pulp style of "Road to Perdition"; before the sadism and cynicism of many current...