Kategoria BISAC: Performing Arts >> Circus

THE BEAUTY OF THE BEASTS is a chronicle of many years Ralph Helfer spent as a Hollywood animal behaviorist, and is full of behind-the-scenes accounts of the many television programs and films in which Helfer's animals appeared, including Charlie's Angels and The Ten Commandments, and the stars he and his animals worked with such as Elvis Presley, Clint Eastwood, and Marilyn Monroe. But this is more than a story of the famous, both four and two-legged -- it's also about the important roles animals play in our lives, and how much less human we would be without them.

During the 1920s and 30s, Franz Taibosh whose stage name was Clicko performed in front of millions as one of the stars of the Ringling Brothers and Barnum & Bailey Circus. Prior to his fame in the United States, Taibosh toured the world as the Wild Dancing Bushman, showing off his frenzied dance moves in freak shows, sideshows, and music halls from Australia to Cuba. When he died in 1940, the "New York Times" called him the only African bushman ever exhibited in this country. In "Clicko," Neil Parsons unearths the untold story of Taibosh s journey from boyhood on a small farm in South...

During the 1920s and 30s, Franz Taibosh whose stage name was Clicko performed in front of millions as one of the stars of the Ringling Brothers and Barnum & Bailey Circus. Prior to his fame in the United States, Taibosh toured the world as the Wild Dancing Bushman, showing off his frenzied dance moves in freak shows, sideshows, and music halls from Australia to Cuba. When he died in 1940, the "New York Times" called him the only African bushman ever exhibited in this country. In "Clicko," Neil Parsons unearths the untold story of Taibosh s journey from boyhood on a small farm in South...

You probably already have a clear idea of what a "discussion guide for students" is: a series of not-very-interesting questions at the end of a textbook chapter. Instead of triggering thought-provoking class discussion, all too often these guides are time-consuming and ineffective.

This is not that kind of discussion guide.

What Media Classes Really Want To Discuss focuses on topics that introductory textbooks generally ignore, although they are prominent in students minds. Using approachable prose, this book will give students a more precise critical language to...

There is no fourth wall in popular performance. The show is firmly rooted in the here and now, and the performers address the audience directly, while the audience answer back with laughter, applause or heckling. Performer and role are interlaced, so that we are left uncertain about just how the persona we see onstage might relate to the private person who presents it to us.

Popular Performance defines and surveys varieties of performance where the main purpose is to entertain, and where there is no shame in being trivial, frivolous or nonsensical as long as people go home...