Kategoria BISAC: Music >> Instruction & Study - Voice

"I am immensely impressed by the scholarship and painstakingly detailed analysis." --George Jellinek

Song by song, this comprehensive study addresses the works of Faure, Chausson, Duparc, and Debussy, four composers who brought to the magnificent poetry of their contemporaries the delicacy, sensitivity, and voluptuousness that characterize French music from 1865 to 1914.

" I]nvaluable for musicologists and troubadour scholars interested in knowing about the 'whole song', and it also provides an excellent introduction to troubadour music for the historian, philologist or, indeed, anyone with a passing interest." --David Cashman, Parergon

"It is a down-to-earth treatment of the discernible facts, ordered according to the type of evidence that survives. It is a book to sober up the discipline." --Daniel Leech-Wilkinson, Times Literary Supplement

" A] welcome guide for the growing number of performers wishing to recreate these magical treaures...

..". a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help... those interested in creating 'opera magic.'" --Tito Capobianco

Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student's active participation through practical exercises and application to...

Face to Face with Orchestra and Chorus is a crucial guide for choral conductors who are presented with the daunting task of conducting a full-size orchestra. This book provides a survival kit for both novice and experienced choral conductors, with an overview of the orchestral instruments and their particular needs, tips for rehearsing an orchestra effectively, and guidelines for proper baton technique. Conductors are walked through six case studies from the Baroque and Classical periods, including Handel's Messiah, Bach's Magnificat in D Major, Vivaldi's Gloria, and Beethoven's "Choral"...

"The song translations by Stanley Appelbaum are excellent. Stark's commentaries are concise, intelligent, highly readable... Laymen and specialists alike will find this book] a useful reference book to have on their shelves." --Fontes Artis Musicae

"This book would be a warmly welcomed addition to the library of any lover of art song." --American Music Teacher

"It is informative, insightful, illuminating, an invaluable resource for singers, teachers, coach-accompanists, highly recommended for anyone having anything to do with Brahms lieder." --Journal of Singing

"Stark's...

..". a generous treatment of some of Brahms s most endearing and imaginative creations." Choice

..". an excellent addition to the literature on vocal chamber music... " Notes

In this sequel to A Guide to the Solo Songs of Johannes Brahms, Lucien Stark opens up a beautiful and largely neglected repertoire, providing the full German text for each song, along with a new English translation, notes on vocal ranges, and a wealth of engaging commentary of technical, aesthetic, and historical interest.

This monograph, translated from the original Danish, concentrates on the plan and execution of 'Messiah', its singers and performances, manuscripts and editions, and aesthetics. . . . For all scholarly collections. "Library Journal"

Barbra Streisand has enjoyed worldwide artistic success for more than three decades, and her recordings are a consistent and integral part of her multifaceted professional life. As part of Greenwood's series, Companions to Celebrated Musicians, this volume explores the musical life and style of Barbra Streisand and places her in the context of American popular music of the second half of the 20th century. Attention is given to other aspects of her career as they relate to her recordings. Chapters proceed chronologically and trace Streisand's evolving musical career and her successes....

Spirituals were an intrinsic part of the African-American plantation life and were sung at all important occasions and events. This volume is the first index of African-American spirituals to be published in more than half a century and will be an important research tool for scholars and students of African-American history and music. The first collection of slave songs appeared in 1843, without musical notation, in a series of three articles by a Methodist Church missionary identified simply as c. Collections that included musical notation began appearing in the 1850s. The earliest...