Kategoria BISAC: Music >> Printed Music - Opera & Classical Scores

Francesca Caccini (1587-ca.1640) was an accomplished composer, singer, and instrumentalist in the tradition of the Florentine Camerata. Her 1618 volume Il primo libro delle musiche was dedicated to her patron the Cardinal de' Medici (1596-1666).

This modern critical edition presents 17 secular monodies for one and two voices with figured bass accompaniment from this landmark collection. The book includes text translations, biographical and stylistic essays, recommendations on performance practice, and other commentary.

Music examples and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of the original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English.

A score embodying the best available musical text.

Historical background--what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material.

A detailed analysis of the music, by the editor of the volume or another...

Music example and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English.

A score embodying the best available musical text.

Historical background-what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material.

A detailed analysis of the music, by the editor of the volume or another well-known...

Music examples and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English.

A score embodying the best available musical text.

Historical background-what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material.

A detailed analysis of the music, by the editor of the volume or another well-known...

The Breitkopf & Hartel edition of the complete works of Brahms (Johannes Brahms: Samtliche Werke; Ausgabe der Gesellschaft der Musikfrunde in Wien), prepared in the 1920s, is still considered the standard source for the music of Brahms. It is the music of Brahms as the composer himself conceived it, without any editor's additional markings of dynamic change, tempo variation, slurrings, phrasings, etc. As the pure, authentic text for the music of Brahms, the edition is unlikely ever to be superseded.
This volume is an unabridged republication of Volume 7 of the Complete Works. It...

The renowned Bach-Gesellschaft, founded in 1850 to collect, edit, and publish all the known works of J. S. Bach, devoted fifty years to its monumental task. It succeeded so well in tracking down Bach's heritage, establishing authenticity, and transcribing accurate texts that it still remains the primary source for Bach's music., Unfortunately, it has always been a fantastically expensive publication, accessible only in the largest libraries.
This volume reprints in full, directly from the Bach-Gesellschaft volumes, important keyboard music. It contains the full texts of the Six...

Supplementing the Dover edition of Schubert's complete piano sonatas, this volume contains all of the remainder of Schubert's music for pianoforte solo (except the dances and a few unfinished pieces): the ever popular "Wanderer" fantasy, Opus 15; the 8 impromptus (Opp. 90 and 142), experimental forerunners of one of the typical genres of the later Romantic composers; the Moments Musicals, Opus 94; the Adagio and Rondo, Opus 145; and numerous variations, scherzos, and other short pieces.
The music is photographically reprinted from the Breitkopf & Hartel "Schubert-Gesammtausgabe," still...

The entire corpus of Brahms's short piano pieces is contained in this volume: the delightful and familiar Waltzes; the effective Scherzo in E-flat Minor; the satisfying Eight Pieces; the two Rhapsodies; the Fantasies among the most perfectly finished works Brahms ever wrote the three Intermezzi; the Intermezzi, Ballade, and Romance comprising Six Pieces; and the superlative Intermezzi and Rhapsody that make up the final Four Pieces.
The music is reproduced directly from the definitive Vienna Gesellschaft der Musik-freunde edition, edited by its renowned musicologist, Eusebius...

Among musicologists and serious lovers of music, Wagner's Tristan und Isolde is generally considered the high point of orchestration in the musical tradition of nineteenth-century Europe. It shows in most successful form Wagner's unsurpassed gift for using the instruments of the orchestra, and generations of students have worked with it to learn its technique.
Tristan und Isolde also has a remarkable historical position. It was the opera that most of the post-Wagnerians used to build upon, and it was also the opera that the anti-Wagnerians seized upon very frequently for...

This volume reproduces, complete and unabridged, the scores of all four symphonies of Johannes Brahms, from the Vienna Gesellschaft der Musikfreunde Edition edited by Hans Gal.
Included are Symphony No. 1 in C Minor, Op. 68; Symphony No. 2 in D Major, Op. 73; Symphony No. 3 in F Major, Op. 90; and Symphony No. 4 in E Minor, Op. 98.
Do not confuse this with a piano rendering; it is a full orchestral score. In addition to its obvious uses for study, this score is also an indispensable associate for anyone listening to record sets or broadcasts. In no other...

The entire corpus of Beethoven's piano sonatas is contained in this two-volume work -- 32 sonatas in all. Volume One contains the fifteen sonatas from Beethoven's first period, including the popular Pathetique, Moonlight, and Pastorale sonatas. Volume Two contains the 17 sonatas from Beethoven's second and third periods, including the Waldstein, the Appassionata, and the Hammerklavier.
The music is reproduced directly from the exemplary Universal Edition set edited by Heinrich Schenker. Combining scrupulous scholarship and profound artistic vision, Schenker achieved an edition which is...