Kategoria BISAC: Music >> Printed Music - Opera & Classical Scores

Francesca Caccini (1587-ca.1640) was an accomplished composer, singer, and instrumentalist in the tradition of the Florentine Camerata. Her 1618 volume Il primo libro delle musiche was dedicated to her patron the Cardinal de' Medici (1596-1666).

This modern critical edition presents 17 secular monodies for one and two voices with figured bass accompaniment from this landmark collection. The book includes text translations, biographical and stylistic essays, recommendations on performance practice, and other commentary.

Music examples and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of the original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English.

A score embodying the best available musical text.

Historical background--what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material.

A detailed analysis of the music, by the editor of the volume or another...

Music example and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English.

A score embodying the best available musical text.

Historical background-what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material.

A detailed analysis of the music, by the editor of the volume or another well-known...

Music examples and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English.

A score embodying the best available musical text.

Historical background-what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material.

A detailed analysis of the music, by the editor of the volume or another well-known...

The tone poems of Richard Strauss rank with the finest orchestral compositions ever created. This volume conveniently brings together for the first time three of these major works, reproduced from complete and authentic first editions. Never before have these important works been available in a full-sized, inexpensive edition. Included in this volume are Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks); Also sprach Zarathustra (Thus Spake Zarathustra); and Ein Heldenleben (A Hen's Life).
Also included are new English translations of the preamble to Also sprach...

"He Wagner] has been much criticized for this strongly personal statement of a religious subject, which mingles the concepts of sacred and profane love; but in the light of modern knowledge, his insight into the relationship between religious and sexual experience can only seem much in advance of his time." "Encylopaedia Britannica"
Completed in 1882, "Parsifal" is Wagner's last opera and one of his finest, renowned for its splendid music and glowing orchestration. With its deeply personal treatment of the legend of the Holy Grail, and the subtle intensity and depth of compassion of...

-La Boheme is perhaps Puccini's most nearly perfect opera.- -- Hughes, Famous Puccini Operas.
It has long been one of the world's most beloved musical works -- an instantly enchanting blend of charm, warmth, gaiety, and pathos, brought to vibrant life by Puccini's sparkling, lighthearted score. La Boheme, based on Henri Murger's novel Scenes de la Vie de Boheme, was first performed at the Teatro Regio, Turin, in 1896. It soon became a staple of the operatic repertoire and has remained so ever since. Grove's Dictionary of Music and Musicians notes...

Jean Cocteau labeled this revolutionary work "a pastorale of the prehistoric world" at its premiere in Paris in 1913, when interest in primitivism was at its zenith among the avant-garde. These "Scenes of Pagan Russia" did indeed inspire primitive reactions among their opening night audience, who were so vociferous in their protests that the dancers could scarcely hear the music.
Yet this powerful work, with its novel rhythms and hitherto unheard-of chordal combinations and orchestral effects would change forever the elements of musical language and exert an enormous influence on three...

Among the most popular of Mahler's symphonic works, the 7th Symphony has neither a "program" nor a folk-song theme. It is a purely instrumental composition, both hopeful and romantic in feeling. The restrained mood and thematic economy of the symphony make it one of the least extravagant of the composer's works; it is also one of the most enjoyable.
Despite the lack of a "program" for the 7th, some critics profess to find that "a good case can be made out for the symphony as a whole having been consciously built round the poetic idea of nocturnal nature, progressing through various...

In 1910, innovative young Russian composer Igor Stravinsky was commissioned by Serge Diaghilev, director of the Ballets Russes, to create a completely new score. The dazzling result was The Firebird, which brought overnight success to its creator and distinguished him as the most gifted of the younger generation of Russian composers. According to Grove's Dictionary of Music and Musicians, the piece, based on a series of Russian fairy tales, has "all the coloring of a Russian child's picture book . . . brilliant orchestration, glowing color . . . an extraordinary evocative...