Kategoria BISAC: Music >> Genres & Styles - Rock

Although Big Star were together for less than four years and had little commercial success, the influence of their three original albums - #1 Record, Radio City, and Third - continues to grow. Big Star bucked all the musical trends of the 70s. In an era of glam and prog rock they wrote catchy, radio-friendly power-pop tunes that remain influential today. Artists as diverse as Primal Scream, R.E.M., The Bangles, The Posies, Teenage Fanclub, Jeff Buckley, and Wilco have spoken about the Big Star legacy. In the decade since the original version of this book was published, Big Star have made a...

The glory days of rock from the perspective of Canada's original music magazine.

The story of Music Express is told through the unique perspective of Keith Sharp, the magazine's founder and editor. During its seventeen-year existence, Music Express rose from a small, Calgary-based regional magazine to an international publication. The interviews, anecdotes, and stories cover the golden era of Canadian music, with the rise to global status of such icons as Bryan Adams, Loverboy, Rush, Celine Dion, and Triumph. Their stories, as well as many more, are captured...

Once upon a time I was falling apart. Now I'm always falling in love.

When Rob Sheffield moved to New York City in 2001, he was a young widower trying to start a new life in a new town. One night, some friends dragged him to a karaoke bar--and that night turned into many nights in many karaoke bars. Karaoke became a way to be someone else if only for the span of a three-minute song, and through the sublime ridiculousness of karaoke, Rob began to find his voice.

And then the unexpected happened. A voice on the radio got Rob's attention. And the voice came attached to a woman who...

Outlaw by acclaimed author Michael Streissguth follows the stories of three legends as they redefined country music: Waylon Jennings, Willie Nelson, and Kris Kristofferson.

Streissguth delves into the country music scene in the late '60s and early '70s, when these rebels found themselves in Music City writing songs and vying for record deals. Channeling the unrest of the times, all three Country Music Hall of Famers resisted the music industry's unwritten rules and emerged as leaders of the outlaw movement that ultimately changed the recording industry.

Outlaw...

"A treasured collection, the personal voyage of one of the First Ladies of Rock Journalism."

-Kathleen Quinlan, Academy Award nominee

"ROCK CHICK-including writings from the time and her wise thoughts decades after the fact - is like a letter in a bottle washed up onshore...the rare real deal."

-Sheila Weller, author of Girls Like Us: Carole King, Joni Mitchell, Carly Simon-And the Journey of a Generation
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NEW YORK TIMES and INTERNATIONAL BESTSELLER

In Face the Music, Paul Stanley--the co-founder and famous "Starchild" frontman of KISS--reveals for the first time the incredible highs and equally incredible lows in his life both inside and outside the band. Face the Music is the shocking, funny, smart, inspirational story of one of rock's most enduring icons and the group he helped create, define, and immortalize.

Stanley mixes compelling personal revelations and gripping, gritty war stories that will surprise even the most steadfast...

December 3-4, 1969. Keith and Mick stood at the same microphone at Muscle Shoals, lights dimmed, splitting a fifth of bourbon, and simultaneously sang the melodies and harmonies on the three songs that they had recorded over three days: "Brown Sugar," "You Got to Move," and "Wild Horses." That's your rock 'n' roll fantasy right there, pal. A six-piece band working in a tiny converted coffin factory across from an Alabama graveyard, on an eight-track recorder, with no computer editing or Autotune, recorded three songs, representing 30 percent of one of the greatest rock 'n' roll records...

On the back of his published diary Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer-user, an interviewee, and a 'drifting clarifier'. To this list we might add rock star (on the first two Roxy Music albums); the creator of lastingly influential music (Another Green World; Music for Airports); a trusted producer (for Talking Heads, U2, Coldplay and a host of other artists); the maker of large-scale video and installation artworks; a maker of apps and interactive software; and so on. He is one of the most feted and...

On the back of his published diary Brian Eno describes himself variously as: a mammal, a father, an artist, a celebrity, a pragmatist, a computer-user, an interviewee, and a 'drifting clarifier'. To this list we might add rock star (on the first two Roxy Music albums); the creator of lastingly influential music (Another Green World; Music for Airports); a trusted producer (for Talking Heads, U2, Coldplay and a host of other artists); the maker of large-scale video and installation artworks; a maker of apps and interactive software; and so on. He is one of the most feted and...

Smile is not merely a great unfinished album, but a living work of art that is all at once expansive, indeterminate, and resolutely pop.

In the early 1960s, The Beach Boys rose from the suburbs of Hawthorne, California to become emissaries of a post-war American dream that fused middle-class aspiration and mobility with images of youth. Led by dream master Brian Wilson, their music gave voice to a Southern California mythos and compelled an audience across the nation and beyond to live out their own versions of the fantasy. By 1966, the encroaching counterculture added new...

Contemporary popular music provides the soundtrack for a host of recent novels, but little critical attention has been paid to the intersection of these important art forms. Write in Tune addresses this gap by offering the first full-length study of the relationship between recent music and fiction. With essays from an array of international scholars, the collection focuses on how writers weave rock, punk, and jazz into their narratives, both to develop characters and themes and to investigate various fan and celebrity cultures surrounding contemporary music. Write in Tune...

Words like "inspiring," "expansive," and "moving" are regularly used to describe Sigur Ros's ( ), and yet the only words heard on the record itself are a handful of meaningless nonsense syllables. The album has no title--or rather, its title is no title: just an empty pair of parentheses. The intention being that listeners will fill in the parentheses with their own title, their own interpretation of the sounds on the record. The CD sleeve consists of twelve pages that are essentially blank, lacking song titles, liner notes or production credits. Instead, it contains only...