Kategoria BISAC: Music >> Genres & Styles - Rock

Forty years after the fact, 1960s counterculture personified by hippies, protest, and the Summer of Love basks in a nostalgic glow in the popular imagination as a turning point in modern American history and the end of the age of innocence. Yet, while the era has come to be synonymous with rebellion and opposition, its truth is much more complex.

In a bold reconsideration of the late sixties San Francisco counterculture movement, Counterculture Kaleidoscope takes a close look at the cultural and musical practices of that era. Addressing the conventional wisdom that the...

Given the explosion in recent years of scholarship exploring the ways in which disability is manifested and performed in numerous cultural spaces, it s surprising that until now there has never been a single monograph study covering the important intersection of popular music and disability. George McKay s Shakin All Over is a cross-disciplinary examination of the ways in which popular music performers have addressed disability: in their songs, in their live performances, and in various media presentations.

By looking closely into the work of artists such as Johnny Rotten,...

Given the explosion in recent years of scholarship exploring the ways in which disability is manifested and performed in numerous cultural spaces, it s surprising that until now there has never been a single monograph study covering the important intersection of popular music and disability. George McKay s Shakin All Over is a cross-disciplinary examination of the ways in which popular music performers have addressed disability: in their songs, in their live performances, and in various media presentations.

By looking closely into the work of artists such as Johnny Rotten,...

In the early 1970s, an era of grand gestures in rock, no band could match the scale of Emerson, Lake and Palmer. Boasting an impressive pedigree in previous bands, Keith Emerson, Greg Lake and Carl Palmer were huge from the off, the ultimate progressive rock group. Their eponymous 1970 debut album mixed new band compositions with reinterpretations of classical pieces, an approach that reached its apogee with the 1973 concept album 'Brain Salad Surgery'.

The band live were a spectacle like no other, with their giant quadrophonic PA and a shirtless Emerson hurling knives into his...

This book is a more personal history than has ever before been written by or about Marianne Faithfull. Anecdotal, conversational, intimate and revealing, this is her no-holds-barred account of her life, her friends, her triumphs and mistakes.

A decade after the publication of 'Faithfull', one of the most acclaimed rock autobiographies of all time, Marianne Faithfull is back, vowing periodically leave her wicked ways behind and grow up, but finding that somehow strange things keep happening.

A wry observer of her slightly off-kilter world, Marianne muses nostalgically about...

Cider with Roadies is the true story of a boy's obsessive relationship with pop. A life lived through music from Stuart's audience with the Beatles (aged 3); his confessions as a pubescent prog rocker; a youthful gymnastic dalliance with northern soul; the radical effects of punk on his politics, homework and trouser dimensions; playing in crap bands and failing to impress girls; writing for the NME by accident; living the sex, drugs (chiefly lager in a plastic glass), and rock and roll lifestyle; discovering the tawdry truth behind the glamor and knowing when to ditch it all...

Canadian progressive rock band Rush was the voice of the suburban middle class. In this book, Chris McDonald assesses the band's impact on popular music and its legacy for legions of fans. McDonald explores the ways in which Rush's critique of suburban life-and its strategies for escape-reflected middle-class aspirations and anxieties, while its performances manifested the dialectic in prog rock between discipline and austerity, and the desire for spectacle and excess. The band's reception reflected the internal struggles of the middle class over cultural status. Critics cavalierly...

How the British rock band Radiohead subverts the idea of the concept album in order to articulate themes of alienation and anti-capitalism is the focus of Marianne Tatom Letts's analysis of Kid A and Amnesiac. These experimental albums marked a departure from the band's standard guitar-driven base layered with complex production effects. Considering the albums in the context of the band's earlier releases, Letts explores the motivations behind this change. She places the two albums within the concept-album/progressive-rock tradition and shows how both resist that tradition. Unlike most...