Kategoria BISAC: Music >> Genres & Styles - Folk & Traditional

Focus: Scottish Traditional Music engages methods from ethnomusicology, popular music studies, cultural studies, and media studies to explain how complex Scottish identities and culture are constructed in the traditional music and culture of Scotland. This book examines Scottish music through their social and performative contexts, outlining vocal traditions such as lullabies, mining songs, Scottish ballads, herding songs, and protest songs as well as instrumental traditions such as fiddle music, country dances, and informal evening pub sessions. Case studies explore the key ideas in...

This book is a substantial and thorough musicological analysis of Turkish folk music. It reproduces in facsimile Bartok's autograph record of eighty seven vocal and instrumental peasant melodies of the Yuruk Tribes, a nomadic people in southern Anatolia. Bartok's introduction includes his annotations of the melodies, texts, and translations and establishes a connection between Old Hungarian and Old Turkish folk music.

Begun in 1936 and completed in 1943, the work was Bartok's last major essay. The editor, Dr. Benjamin Suchoff, has provided an historical introduction and a chronology...

This is the musical counterpart to the famous Francis James Child collection of English and Scottish ballads from the 13th to the 19th centuries. Professor Child's canon established the texts; Professor Bronson's work provides both tunes and texts.

Originally published in 1959.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable...

With this volume, incorporating Ballads 244-305, Bertrand Harris Bronson completes his epic task of providing the musical counterpart to Francis James Child's collection of English and Scottish ballads. As in the previous volumes, the texts are linked with their proper traditional tunes, systematically ordered and grouped to show melodic kinship and characteristic variations developed during the course of oral transmission.

Originally published in 1972.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print...

This book is a substantial and thorough musicological analysis of Turkish folk music. It reproduces in facsimile Bartok's autograph record of eighty seven vocal and instrumental peasant melodies of the Yuruk Tribes, a nomadic people in southern Anatolia. Bartok's introduction includes his annotations of the melodies, texts, and translations and establishes a connection between Old Hungarian and Old Turkish folk music.

Begun in 1936 and completed in 1943, the work was Bartok's last major essay. The editor, Dr. Benjamin Suchoff, has provided an historical introduction and a chronology...

Composer John Donald Robb (1892-1989) built an invaluable legacy in the preservation of New Mexico's rich musical traditions. His extensive field recordings, compositions, papers, and photographs now comprise the John Donald Robb Archives in the University of New Mexico Libraries' Center for Southwest Research. Cancionero presents thirteen Hispanic folk songs from Robb's renowned archive. Created for musicians and vocalists, Cancionero features arrangements for voice with piano or guitar accompaniments as well as selected concert versions for voice, oboe, harp, and piano. Introductions...

While in the Mississippi State Archives tracking down Abbott Ferriss's beautiful photographic portraits of musicians from 1939, author Harry Bolick discovered, to his amazement, a treasure trove of earlier fiddle tunes in manuscript form. Since then he has worked to understand how this collection came to exist and be set aside. With Stephen T. Austin, Bolick has transcribed the subsequent 1939 audio recordings. Mississippi Fiddle Tunes and Songs from the 1930s presents the history of the collecting work, with over three hundred of the tunes and songs and a beautiful selection of...

While in the Mississippi State Archives tracking down Abbott Ferriss's beautiful photographic portraits of musicians from 1939, author Harry Bolick discovered, to his amazement, a treasure trove of earlier fiddle tunes in manuscript form. Since then he has worked to understand how this collection came to exist and be set aside. With Stephen T. Austin, Bolick has transcribed the subsequent 1939 audio recordings. Mississippi Fiddle Tunes and Songs from the 1930s presents the history of the collecting work, with over three hundred of the tunes and songs and a beautiful selection of...

Read an excerpt and listen to the songs featured in the book at http: //folksonghistory.com/

In 2015, Bob Dylan said, -I learned lyrics and how to write them from listening to folk songs. And I played them, and I met other people that played them, back when nobody was doing it. Sang nothing but these folk songs, and they gave me the code for everything that's fair game, that everything belongs to everyone.- In Hear My Sad Story, Richard Polenberg describes the historical events that led to the writing of many famous American folk songs that served as touchstones for...

Twenty years after its release, Phish's double-CD collection A Live One has something rare and precious going for it: it still doesn't sound like anybody else. Oversized, perverse, requiring an unusual amount of listener background knowledge? Yes to all. Yet the collective improvisations it captures, unprecedentedly coherent yet freewheeling and open-ended, are unique in rock 'n' roll.

This book considers the music and moment of Phish's ecstatically inventive 1995 live document, a mix of weirdo acid-psych, ambient moonscapes, vaudevillian Americana, and riotous arena-rock...