Kategoria BISAC: Music >> Discography & Buyer's Guides

In Bootleg: The Secret History of the Other Recording Industry, Clinton Heylin examines the entire modern history of this underground culture: from what defines a bootleg and its complex and protean legal status, to a full history of bootlegs' production and distribution, to what's contained on some of the most notorious bootlegs and how to find them. Along with many illustrations of the creative packages, this is the whole story of the $250 million industry that sustains itself on the great figures of rock music and their biggest admirers.

In the history of sound recording, the years from 1896 to 1926 mark the transformation of a carnival toy into a serious means of musical reproduction. This work documents for the first time an index of this transformation: the expansion of the repertoire from the marches and potpourris of the 1890s to the symphonic recordings of the late acoustical period. The data assembled bring together and organize materials that have lain scattered in archives, private collections, catalogues, trade journals, and in the research of more than three dozen discographers to provide as complete a survey of...

Worldwide in scope and covering the second half of the 20th century, this work provides biographies and discographies of some 500 conductors and composers in many aspects of light and popular orchestral music, including film, show, theatre, and mood music. This is the first time the lives and recordings of such artists as Kostelanetz, Faith, Gould, as well as the orchestral recordings of such great popular composers as Gershwin, Kern, Porter, Rodgers, Berlin, and Coward, have been adequately documented and consolidated in an encyclopedic fashion. Almost 5,000 records and CDs are listed. Of...

Billy May was a self-taught musician and arranger. In 1938, he received his first big break arranging and playing trumpet; first, for the Charlie Barnet band, and in 1940, the band of Glenn Miller. Settling in Hollywood in 1943, his first of many big breaks in radio was playing in Ozzie Nelson's band for the Red Skelton Show. Shortly thereafter, May was asked by Nelson to be musical director to his new show, The Adventures of Ozzie and Harriet. He was also fortunate to play in the orchestra and write arrangements for John Scott Trotter on Bing Crosby's Kraft Music Hall. Billy...

Focusing on Sinatra's presence in the recording studio, this discography catalogues Frank Sinatra's commercial records, V-Discs, and soundtrack film recordings. The first chapter covers Sinatra's early years as a vocalist with the big bands of Harry James and Tommy Dorsey. Entries then proceed chronologically with separate chapters for each decade. Data was collected from session reports in the files of record companies and from some union contracts. Commercial record and film soundtrack entries include band personnel and composer credits.

Frank Sinatra fans, music historians, and...

• A book about the things that we encounter in everyday experience.
  
• Contains a thorough and accessible discussion of the nature and aims of metaphysics.
  
• Examines a wide range of ontological categories, including both particulars and universals.
  
• Mounts a forceful and persuasive case for anti-reductionism.

• A book about the things that we encounter in everyday experience.
  
• Contains a thorough and accessible discussion of the nature and aims of metaphysics.
  
• Examines a wide range of ontological categories, including both particulars and universals.
  
• Mounts a forceful and persuasive case for anti-reductionism.