Kategoria BISAC: Music >> Genres & Styles - Classical

Stenhammar began work on what many consider to be his finest orchestral work in 1907-08. He completed the first version following his return from vacationing in Italy (1912-13). Dedicated to his wife Helga Marcia, the Serenade was given its premiere under the composer's baton in Stockholm in January 1914. Revisions were made in 1919 and the final version was premiered in Gothenburg in 1920. While unmistakably Scandinavian, Stenhammar's music often takes a more lyrical and classical approach than his fellow Scaninavians Sibelius and Nielsen. The Serenade is widely considered to be the...

Originally composed for piano duet, Debussy's Peite suite was first peformed in Paris by the composer and Jacques Durand at a private hearing on February 2, 1889 and became immediately popular after its publication the same year. Its widespread popularity resulted in demands from the publisher for an orchestral setting. The composer, too busy with new works, ultimately assigned the orchestration task to the conductor Henri BUsser. This is the orchestral version most widely performed and recorded today. This is a new, digitally enhanced reprint of the score originally published in...

This is a new, digitally-enhanced reissue of the score originally published in 1911 by Durand et Cie., Paris. Originally composed in 1910 for piano solo, Children's Corner was scored for small orchestra two years later by Debussy's student and good friend AndrE Caplet, who conducted the premiere in Boston. This is the orchestral version most widely performed and recorded today. It is a brilliant example of early 20th century orchestral writing. The orchestra employed by Caplet consists of 2 flutes (2nd also piccolo), 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets,...

That Johann Sebastian Bach is a pivotal figure in the history of Western music is hardly news, and the magnitude of his achievement is so immense that it can be difficult to grasp. In "About Bach, " fifteen scholars show that Bach's importance extends from choral to orchestral music, from sacred music to musical parodies, and also to his scribes and students, his predecessors and successors. Further, the contributors demonstrate a diversity of musicological approaches, ranging from close studies of Bach's choices of musical form and libretto to wider analyses of the historical and cultural...