Kategoria BISAC: Literary Criticism >> Subjects & Themes - Nature

The work of John Charles Fremont, Richard Byrd, Charlotte Perkins Gilman, John Wesley Powell, Susan Cooper, Rachel Carson, and Loren Eiseley represents a widely divergent body of writing. Yet despite their range of genres--including exploration narratives, technical reports, natural histories, scientific autobiographies, fictional utopias, nature writing, and popular scientific literature--these seven authors produced strikingly connected representations of nature and the practice of science in America from about 1840 to 1970. Michael A. Bryson provides a thoughtful examination of the...

Practical Ecocriticismis the first book to ground environmental literature firmly in the life sciences, particularly evolutionary biology, and to attempt to bridge the ever-widening gulf between the -Two Cultures.- Glen Love--himself one of the founders of ecocriticism--argues that literary studies has been diminished by a general lack of recognition for the vital role the biological foundation of human life plays in cultural imagination. Love presents with great clarity and directness an invaluable model for how to incorporate Darwinian ideas--the basis for all modern biology and...

Although the British romantic poets--notably, Blake, Wordsworth, and Byron--have been the subjects of previous ecocritical examinations, Kate Rigby's Topographies of the Sacred is the first book to compare English and German literary models of romanticism. Rigby treats not only canonical British romantics but an array of major figures in Continental literature, philosophy, and natural history, including Rousseau, Herder, Goethe, Schelling, Schiller, and Alexander von Humboldt. Following the pioneering work of Jonathan Bate and Karl Kroeber, she probes romantic understandings of nature, the...

Although the British romantic poets--notably, Blake, Wordsworth, and Byron--have been the subjects of previous ecocritical examinations, Kate Rigby's Topographies of the Sacred is the first book to compare English and German literary models of romanticism. Rigby treats not only canonical British romantics but an array of major figures in Continental literature, philosophy, and natural history, including Rousseau, Herder, Goethe, Schelling, Schiller, and Alexander von Humboldt. Following the pioneering work of Jonathan Bate and Karl Kroeber, she probes romantic understandings of...

Rooted in a thriving culture of amateur natural history, the keeping of nature journals and diaries flourished in late-eighteenth-and early-nineteenth-century Britain. As prescientific worldviews ceded to a more materialist outlook informed by an explosion of factual knowledge, lovers of nature both famous and obscure began to use daily composition as a quest for information about and a celebration of their surroundings. A central site of encounter, discovery, and expression, nature diaries took part in a vigorous cultural dialogue, performing, in an era called the -golden age- of nature...

Rooted in a thriving culture of amateur natural history, the keeping of nature journals and diaries flourished in late-eighteenth-and early-nineteenth-century Britain. As prescientific worldviews ceded to a more materialist outlook informed by an explosion of factual knowledge, lovers of nature both famous and obscure began to use daily composition as a quest for information about and a celebration of their surroundings. A central site of encounter, discovery, and expression, nature diaries took part in a vigorous cultural dialogue, performing, in an era called the -golden age- of nature...

Lines on the Land

Writers, Art, and the National Parks

Scott Herring

The nineteenth-century photographer William Henry Jackson once complained of the skepticism with which early descriptions of Yellowstone were met: the place was too wondrous to be believed. The public demanded proof, and a host of artists and writers obliged. These early explorers possessed a vigorous devotion to the young nation's wilderness--the naturalist John Muir famously toured the land from Wisconsin to Florida on foot--and through their work established aesthetic categories that exist to...

New and Selected poems by Don Barkin, a poet whose last collection was a finalist for the Connecticut  Book Awards. These poems are both domestic and accessible, including many in rhyme and meter (the late Poet Laureate Philip Levine wrote that Barkin's poems show "wonderful skill").

These poems, written over a quarter century, have appeared in some of the country’s most prestigious literary magazines, including Poetry, The Virginia Quarterly Review, the North American Review, and Prairie Schooner. They look back to a New Hampshire boyhood, and...

In 1973 the Australian novelist Patrick White won the Nobel Prize for Literature, the year that his great novel of family ties and change, The Eye of the Storm, was published and became a bestseller in America and Europe. Yet White is still not widely known or read, and few writers of today have provoked so many contradictory judgments.

Now Peter Wolfe has written the first book-length study of the work of this brilliant and haunting novelist. The study offers a subtle, penetrating examination of White's style, his skill in building narrative tension, and also the depth and...

This book examines current trends in scholarly thinking about the new field of the Environmental Humanities, focusing in particular on how the history of globalization and imperialism represents a special challenge to the representation of environmental issues. Essays in this path-breaking collection examine the role that narrative, visual, and aesthetic forms can play in drawing attention to and shaping our ideas about long-term and catastrophic environmental challenges such as climate change, militarism, deforestation, the pollution and management of the global commons, petrocapitalism,...

Since the Industrial Revolution, humans have transformed the Earth's atmosphere, committing our planet to more extreme weather, rising sea levels, melting polar ice caps, and mass extinction. This period of observable human impact on the Earth's ecosystems has been called the Anthropocene Age. The anthropogenic climate change that has impacted the Earth has also affected our literature, but criticism of the contemporary novel has not adequately recognized the literary response to this level of environmental crisis. Ecocriticism's theories of place and planet, meanwhile, are troubled by a...

Since the Industrial Revolution, humans have transformed the Earth's atmosphere, committing our planet to more extreme weather, rising sea levels, melting polar ice caps, and mass extinction. This period of observable human impact on the Earth's ecosystems has been called the Anthropocene Age. The anthropogenic climate change that has impacted the Earth has also affected our literature, but criticism of the contemporary novel has not adequately recognized the literary response to this level of environmental crisis. Ecocriticism's theories of place and planet, meanwhile, are troubled by a...

The calamitous impacts of climate change that are beginning to be felt around the world today expose the inextricability of human and natural histories. Arguing for a more complex account of such calamities, Kate Rigby examines a variety of past disasters, from the Black Death of the Middle Ages to the mega-hurricanes of the twenty-first century, revealing the dynamic interaction of diverse human and nonhuman factors in their causation, unfolding, and aftermath.

Focusing on the link between the ways disasters are framed by the stories told about them and how people tend to respond...