Kategoria BISAC: Literary Criticism >> Renaissance

Erasmus' Familiar Colloquies grew from a small collection of phrases, sentences, and snatches of dialogue written in Paris about 1497 to help his private pupils improve their command of Latin. Twenty years later the material was published by Johann Froben (Basel 1518). It was an immediate success and was reprinted thirty times in the next four years. For the edition of March 1522 Erasmus began to add fully developed dialogues, and a book designed to improve boys' use of Latin (and their deportment) soon became a work of literature for adults, although it retained traces of its...

'A judicious and discerning selection of large extracts from the Collected Works of Erasmus ... thoughtfully designed to include major statements of Erasmus on civility in individual morals, humanistic study and education, the Christian life, reform of the church, and the peaceful constraint of political force. It is to my mind the most comprehensive and penetrating anthology of Erasmus' writing, forcefully revealing his central values.' - Charles Trinkaus, Emeritus Professor of History, University of Michigan

'Rummel's collection makes available...

In The Romance Epics of Boiardo, Ariosto, and Tasso, Jo Ann Cavallo attempts a new interpretation of the history of the renaissance romance epic in northern Italy, focusing on the period's three major chivalric poets. Cavallo challenges previous critical assumptions about the trajectory of the romance genre, especially regarding questions of creative imitation, allegory, ideology, and political engagement.

Although Northrop Frye's first book, Fearful Symmetry (1947), elevated the reputation of William Blake from the status of a minor eccentric to that of a major Romantic poet, Frye in fact saw Blake as a poet (and, consequently, himself as a critic) not of the Romantic period, but of the Renaissance. As such, Frye's meditations on the Renaissance are particularly valuable. This volume collects six of Frye's notebooks and five sets of his typed notes on subjects related to Renaissance literature.

Michael Dolzani divides these notes into three categories: those on Spenser and...

Every epoch has its artists, thinkers, and creators, and behind many of these people, there is a patron waiting in the wings. Patronage and Humanist Literature in the Age of the Jagiellons looks at the relationship between humanist scholars and their patrons in east central Europe during the early sixteenth century. It is the first study in English specifically to address literary patronage as it existed in this particular time and place.

Drawing on the writings of three itinerant scholar-poets associated with the courts of Cracow, Buda, and Vienna, Jacqueline Glomski argues...

"A well-focused look at the variety of uses to which Chaucer's texts were put in the 16th and 17th centuries . . . will interest scholars who want to cross boundaries between medieval and Renaissance studies, and will appeal with special force to people who in fact work on both."--Lars Engle, University of Tulsa

This collection of essays surveys the diverse receptions and workings of Chaucer from the early 16th to the early 17th century. It emphasizes the many kinds of influence that Chaucer and his poems exerted on British letters and culture during these years and assesses how...

The Elizabethan age was one of unbounded vitality and exuberance; nowhere is the color and action of life more vividly revealed than in the rogue books and cony-catching (confidence game) pamphlets of the sixteenth century. This book presents seven of the age's liveliest works: Walker's Manifest Detection of Dice Play; Awdeley's Fraternity of Vagabonds; Harman's Caveat for Common Cursitors Vulgarly Called Vagabonds; Greene's Notable Discovery of Cozenage and Black Book's Messenger; Dekker's Lantern and Candle-light; and Rid's Art of Juggling. From these pages spring the denizens of the...

• An introduction to early modern English literature for students and general readers.
  
• Considers the ways in which early modern writers construct the past, recover and adapt classical genres, write about people and places, and tackle religious and secular controversies.
  
• Illustrated with a profusion of excerpts from early modern texts.
  
• Writers represented include More, Erasmus,...

The Book of the Play is a collection of essays that examines early modern drama in the context of book history. Focusing on the publication, marketing, and readership of plays opens fresh perspectives on the relationship between the cultures of print and performance and more broadly between drama and the public sphere. Marta Straznicky's introduction offers a survey of approaches to the history of play reading in this period, and the collection as a whole consolidates recent work in textual, bibliographic, and cultural studies of printed drama.

Individually, the essays advance our...