Kategoria BISAC: Literary Criticism >> Comics & Graphic Novels

The advent of the Atomic Age challenged purveyors of popular culture to explain to the general public the complex scientific and social issues of atomic power. "Atomic Comics" examines how comic books, comic strips, and other cartoon media represented the Atomic Age from the early 1920s to the present. Through the exploits of superhero figures such as Atomic Man and Spiderman, as well as an array of nuclear adversaries and atomic-themed adventures, the public acquired a new scientific vocabulary and discovered the major controversies surrounding nuclear science. Ferenc Morton Szasz s...

Best known for her long-running comic strip Ernie Pook's Comeek, illustrated fiction (Cruddy, The Good Times Are Killing Me), and graphic novels (One Hundred Demons ), the art of Lynda Barry (b. 1956) has branched out to incorporate plays, paintings, radio commentary, and lectures. With a combination of simple, raw drawings and mature, eloquent text, Barry's oeuvre blurs the boundaries between fiction and memoir, comics and literary fiction, and fantasy and reality. Her recent volumes What It Is (2008) and Picture This (2010) fuse autobiography,...

If the source of manga and anime is physically located in Japan, the temptation for many critics and scholars is to ask what aspects of Japanese culture and history gave rise to these media. This ninth volume of Mechademia--an annual collection of critical work on anime and manga--challenges the tendency to answer the question of origins by reductively generalizing and essentializing "Japaneseness."

The essays brought together in Mechademia 9 lead us to understand the extent to which "Japan" might be seen as an idea generated by anime, manga, and other texts...

The intersections of law and contemporary culture are vital for comprehending the meaning and significance of law in today's world. Far from being unsophisticated mass entertainment, comics and graphic fiction both imbue our contemporary culture, and are themselves imbued, with the concerns of law and justice. Accordingly, and spanning a wide variety of approaches and topics from an international array of contributors, Graphic Justice draws comics and graphic fiction into the range of critical resources available to the academic study of law. The first book to do this, Graphic...

Between the covers of Vixens, Vamps & Vipers, fans will rediscover the original bad girls of comics--as fierce and full of surprises as they were when the comic book industry was born. From murderous Madame Doom to He-She, dubbed by io9 as "the most unsung comic book villain ever," Mike Madrid resurrects twenty-two glorious evildoers in fully reproduced comics and explores the ways they both transcend and become ensnared in a web of cultural...

The early 1980s saw a revolution in mainstream comics--in subject matter, artistic integrity, and creators' rights--as new methods of publishing and distribution broadened the possibilities. Among those artists utilizing these new methods, Chester Brown (b. 1960) quickly developed a cult following due to the undeniable quality and originality of his Yummy Fur (1983-1994).

Chester Brown: Conversations collects interviews covering all facets of the cartoonist's long career and includes several pieces from now-defunct periodicals and fanzines. It also includes original...

In the wake of the Charlie Hebdo attacks, this collection--which gathers scholars in the fields of race, ethnicity, and humor--seems especially urgent. Inspired by Denmark's Muhammad cartoons controversy, the contributors inquire into the role that racial and ethnic stereotypes play in visual humor and the thin line that separates broad characterization as a source of humor from its power to shock or exploit. The authors investigate the ways in which humor is used to demean or give identity to racial, national, or ethnic groups...

Black Women in Sequence takes readers on a search for women of African descent in comics subculture. From the 1971 appearance of the Skywald Publications character "the Butterfly" - the first Black female superheroine in a comic book - to contemporary comic books, graphic novels, film, manga, and video gaming, a growing number of Black women are becoming producers, viewers, and subjects of sequential art.

As the first detailed investigation of Black women's participation in comic art, Black Women in Sequence examines the representation, production, and transnational...

Black Women in Sequence takes readers on a search for women of African descent in comics subculture. From the 1971 appearance of the Skywald Publications character "the Butterfly" - the first Black female superheroine in a comic book - to contemporary comic books, graphic novels, film, manga, and video gaming, a growing number of Black women are becoming producers, viewers, and subjects of sequential art.

As the first detailed investigation of Black women's participation in comic art, Black Women in Sequence examines the representation, production, and transnational...

In 1965, Gene Basset, a well-known political cartoonist, was sent to Vietnam
by his newspaper publishing syndicate. His assignment: to sketch scenes of the
increasingly controversial war in order to help the newspaper-reading public
better understand the events occurring in Southeast Asia.
In much the same way that M.A.S.H. gave viewers an irreverent, wry view of
war and its devastating effects on citizens as well as soldiers, Basset s sketches
portray the everyday, often mundane, aspects of wartime with an intimate touch
that eases access to the dark subject matter....

Spider-Man could not stop disaster.

Superman abandoned earth.

Batman lost a war to madness.

Captain America was assassinated.

The post-9/11 world has been dangerous for superheroes. Since the terrorist attacks on the World Trade Center and the Pentagon, superheroes have grown darker, more realistic, and more fallible and flawed than ever before.

The scary part is what their transformation says about all of us.

Filled with in-depth analysis and thought- provoking questions, The Superhero Response is sure to fascinate die-hard fans and casual readers alike.

Tracing the industrial emergence of transmedia storytelling typically branded a product of the contemporary digital media landscape this book provides a historicised intervention into understandings of how fictional stories flow across multiple media forms. Through studies of the storyworlds constructed for The Wizard of Oz, Tarzan, and Superman, the book reveals how new developments in advertising, licensing, and governmental policy across the twentieth century enabled historical systems of transmedia storytelling to emerge, thereby providing a valuable contribution to the growing field...

The intersections of law and contemporary culture are vital for comprehending the meaning and significance of law in today s world. Far from being unsophisticated mass entertainment, comics and graphic fiction both imbue our contemporary culture, and are themselves imbued, with the concerns of law and justice. Accordingly, and spanning a wide variety of approaches and topics from an international array of contributors, Graphic Justice draws comics and graphic fiction into the range of critical resources available to the academic study of law. The first book to do this, Graphic...