Kategoria BISAC: Literary Criticism >> Humor

From the acclaimed bestselling author of Sushi for Beginners and Angels comes a collection of personal essays on shopping, writing, moviemaking, motherhood and all the assorted calamities involved in being a savvy woman in the new millennium.

Her novels are read and adored by millions around the world, and with Under the Duvet, Marian Keyes tackles the world of nonfiction. These are her collected pieces: regular bulletins from the woman writing under the covers.

Marian loves shoes and her LTFs (Long-Term Friends), hates realtors and lost luggage, and...

Though the phrase "Calvinist humor" may seem to be an oxymoron, Michael Dunne, in highly original and unfailingly interesting readings of major American fiction writers, uncovers and traces two recurrent strands of Calvinist humor descending from Puritan times far into the twentieth century. Calvinist doctrine views mankind as fallen, apt to engage in any number of imperfect behaviors. Calvinist humor, Dunne explains, consists in the perception of this imperfection. When we perceive that only others are imperfect, we participate in the form of Calvinist humor preferred by William Bradford...

This volume represents a first in its analysis of historical trends in the humor of eight Western countries: Australia, Belgium, France, Great Britain, Israel, Italy, the United States, and Yugoslavia. In each country, the authors surveyed and assessed the national humor in a way designed to facilitate comparative study. Each essay details the historical development of national humor with an emphasis on the twentieth century and contemporary trends. The survey includes traditional and popular forms of humor as well as humor in literature, the performing and visual arts, and the mass media....

Much writing about comedy in the last twenty years has only trivialized comedy as cheap or as temporary distraction from things that "really matter." It has either presented exhaustive taxonomies of kinds of humor--like wit, puns, jokes, humor, satire, irony--or engaged in pointless political endgames, moral dialogues, or philosophical perceptions. Comedy is rarely presented as a mode of thought in its own right, as a way of understanding, not something to be understood.

Bruns' guiding assumption is that comedy is not simply a literary or theatrical genre, to be diff erentiated from...