Kategoria BISAC: Literary Criticism >> Shakespeare

Originally published in 1995. Providing the most influential historical criticism, but also some contemporary pieces written for the volume, this collection includes the most essential study and reviews of this tragic play. The first part contains critical articles arranged chronologically while the second part presents reviews of stage performances from 1901 to 1988 from a variety of sources. Chapters chosen are representative of their given age and critical approach and therefore show the changing responses and the topics that interested critics in the play through the years. Coriolanus...

Originally published in 1984. The four parts of this collection of articles, from 1601 to the 1970s, look at the historical and political dynamics of the play, the play in the theatre, the psychology of its characters, and its poetry and rhetoric. Bringing together the best that was written about Richard II, this volume represents the collective wisdom of Shakespeare scholars and provides the most insightful criticism in one place. An unpopular play for many years due to the perceived weak main character and the theme of deposition, the play later gained popularity and interest in its...

Originally published in 1993. Presenting excerpts and articles on the themes and characters from the most famous story of young lovers, this collection brings together scholarship relating to the language, performance, and impact of the play. Ordered in three parts, the chapters cover analysis, reviews and interpretation from a wide ranging array of sources, from the play s contemporary commenters to literary critics of the early 1990 s. The volume ends with an article by the editor on the action in the text which concludes the final section of 8 pieces looking at the story as being a...

Originally published in 1988. Arranged by play, the essays presented here focus first on production and then on a range of other issues such as characters, imagery, textual problems and themes. Both plays were more popular in earlier centuries and most later essayists focused on small issues rather than view the plays in wider perspective. More recent pieces included here seek organising principles for King John and look in more detail at Henry VIII. Beginning with the in-depth introduction by the editor, this collection shows the reception of the play by its Elizabethan audience compared...

Originally published in 1988. Selections here are organised chronologically looking at both theatrical commentary and literary criticism. The organisation brings out the shifts in emphasis as each generation reinvents Shakespeare, and Othello, by the questions asked, those not asked, and the answers given. Chapters cover the theme of heroic action, Iago s motivation, guilt and jealousy, and obsession. Some entries from the world of theatre delve into the portrayal of the Moor, Desdemona and Iago from the 1940s on. Authors include A. C. Bradley, William Hazlitt, Ellen Terry, Konstantin...

How did the court audience of 1606 respond to Shakespeare s most disturbing tragedy? This engaging book provides in-depth discussion of the various influences a contemporary audience would have brought to interpreting King Lear . How did people think about the world, about God, about sin, about kings, about civilized conduct? Historical, literary, political and sociological backgrounds are explained within the biblical-moral matrices by which the play would have been judged. This book links real life in the 1600s to Lear s world on the stage. Learn about the social hierarchy, gender...

How would a Jacobean audience have assessed The Tempest ? What would King James I have thought of it? This book provides detailed in-depth discussion of the various influences that an audience in 1611 would have brought to interpreting the play. How did people think about the world, about God, about sin, about kings, about civilized conduct? Historical, literary, political and sociological backgrounds are explained within the biblical-moral matrices by which the play would have been judged. This book links real life in the 1600s to the world of Prospero on the stage. Learn about the social...

How would a Jacobean audience have assessed the story of these two classical celebrities? Are Antony and Cleopatra simply tragic lovers, or is the play a condemnation of poor male government derailed by passion for an unreliable, self-interested woman? This book provides detailed discussion of the various influences that a Jacobean audience would have brought to interpreting the play. How did people think about the world, God, sin, kings, civilized conduct? Historical, literary, political and sociological backgrounds are explained within the biblical-moral matrices by which the play would...