Kategoria BISAC: Literary Criticism >> Asian - Indic

'Altered Destinations' addresses the complex interrelations of state, nation and identity in India through the medium of culture, and compellingly reframes the debate in the context of the Gandhian concept of swaraj. Engaging with Gandhi's classic text 'Hind Swaraj', which envisioned an entirely new form of identity and governance in India in opposition with its colonial past, Paranjape extends the discussion by exlporing how ideas of autonomy, selfhood, and cultural independence have been expressed, depicted and studied.

Ruskin Bond's life - and, for that matter, his semi-autobiographical works - are allegories of the colonial aftermath. His is an odd but exemplary attempt at absorption as a member of the Anglo-Indian ethnic minority, a community whose role in the shaping of the postcolonial Indian psyche has yet to be systematically analysed. This study explores the dialogue between the biographical and authorial selves of Ruskin Bond, whose subjectivity is informed by the fantasies of space and time.

Bond's experiences of socio-political discrimination underwrite his repressed concerns. He seeks...

Orientalism refers to the imitation of aspects of Eastern cultures in the West, and was devised in order to have authority over the Orient. The concept of Re-Orientalism maintains the divide between the Orient and the West. However, where Orientalism is based on how the West constructs the East, Re-Orientalism is grounded on how the cultural East comes to terms with an orientalised East.

This book explores various new forms, objects and modes of circulation that sustain this renovated form of Orientalism in South Asian culture. The contributors identify and engage with recent...

In contrast to the pervasive sense of the globe as a "jigsaw-puzzle" of nations, writers as diverse as Joseph Conrad, E.M. Forster, James Joyce, Jean Rhys, Jamaica...

From the fifteenth to the eighteenth centuries, the major cultures of southern India underwent a revolution in sensibility reminiscent of what had occurred in Renaissance Italy. During this time, the imagination came to be recognized as the defining feature of human beings. More than Real draws our attention to a period in Indian history that signified major civilizational change and the emergence of a new, proto-modern vision.

In general, India conceived of the imagination as a causative agent: things we perceive are real because we imagine them. David Shulman illuminates...