Kategoria BISAC: Literary Criticism >> Asian - General

Postcolonial Parabola: Literature, Tactility, and the Ethics of Representing Trauma interrogates the relationship between the literary representation of postcolonial trauma and the embodied experience of reading. As the conditions from which postcolonial literatures have emerged require a break from proper ways to represent trauma, postcolonial writers expand and complicate the practice of reading itself.

Though postcolonial literature's capacity to represent trauma has received considerable scrutiny in recent years, Postcolonial Parabola is innovative in its...

This volume gives Asia s Shakespeares the critical, theoretical, and political space they demand, offering rich, alternative ways of thinking about Asia, Shakespeare, and Asian Shakespeare based on Asian experiences and histories. Challenging and supplementing the dominant critical and theoretical structures that determine Shakespeare studies today, close analysis of Shakespeare s Asian journeys, critical encounters, cultural geographies, and the political complexions of these negotiations reveal perspectives different to the European. Exploring what Shakespeare has done to Asia along with...

Islam in Performance brings together six contemporary plays from Bangladesh, India, and Pakistan that highlight the political performance of Islam in South Asia, especially since the 1947 partition of the subcontinent.

The plays invite comparison with one another, engaging with the issue from perspectives of the three countries concerned: Hindutva politics in India othering the Muslim population for electoral gains, radical Islamization of Pakistan paralyzing political governance and encouraging jihadi violence, and the ever-increasing Islamist threat to Bangladesh's founding...

This collection of short stories, anecdotes, and poems was likely compiled during the 13th century. Tales of romantic love--including courtship, marriage, and illicit affairs--unify the collection and make it an essential primary source for literary and social history, since official Chinese history sources did not usually discuss family conflict or sexual matters.

This volume, the first complete translation of The Drunken Man's Talk (Xinbian zuiweng tanlu) in any language, includes an introduction that explores the literary significance of the work as well as annotations...

This monograph is a study of the Rgyal ba'i dben gnas rwa sgreng gi bshad pa nyi ma'i 'od zer (Rays of the Sun: A Statement about Rwa sgreng Monastery, Hermitage of the Victor), which is a newly discovered hand-written manuscript from the Fifth Dalai Lama's private library at 'Bras spungs monastery, Lhasa. It is the first known work devoted solely to Rwa sgreng monastery, the mother monastery of the Bka' gdams school founded by 'Brom ston Rgyal ba'i 'byung gnas (1005-1064) in 1057 after the death of his master Atiśa (982-1054).

The Bka' gdams school no longer exists, but...

Written around 1660, the unique Chinese short story collection Idle Talk under the Bean Arbor (Doupeng xianhua), by the author known only as Aina the Layman, uses the seemingly innocuous setting of neighbors swapping yarns on hot summer days under a shady arbor to create a series of stories that embody deep disillusionment with traditional values. The tales, ostensibly told by different narrators, parody heroic legends and explore issues that contributed to the fall of the Ming dynasty a couple of decades before this collection was written, including self-centeredness and social...

Noh drama has long fascinated Westerners by its poetic excellence and its dramatic power. To the student of medieval Japanese culture, however, noh writings, especially dramaturgical treatises, are also of immense value as "monuments" of culture. To uncover the larger patterns of cultural discourse in these theoretical works, Arthur Thornhill presents the first major study in English of the dramaturgical treatises of Komparu Zenchiku (1405-1468?), son-in-law and pupil of the illustrious Zeami and a pivotal figure in the history of Japanese noh drama. The book begins with annotated...

Noh drama has long fascinated Westerners by its poetic excellence and its dramatic power. To the student of medieval Japanese culture, however, noh writings, especially dramaturgical treatises, are also of immense value as "monuments" of culture. To uncover the larger patterns of cultural discourse in these theoretical works, Arthur Thornhill presents the first major study in English of the dramaturgical treatises of Komparu Zenchiku (1405-1468?), son-in-law and pupil of the illustrious Zeami and a pivotal figure in the history of Japanese noh drama. The book begins with annotated...

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