Kategoria BISAC: Literary Criticism >> Books & Reading

This original study explores the new idea of theory that emerged in the wake of the French Revolution. Leon Chai sees in the Romantic age a significant movement across several broad fields of intellectual endeavor, from theoretical concepts to an attempt to understand how they arise. He contends that this movement led to a spatial treatment of concepts, the primacy of development over concepts, and the creation of metatheory, or the formal analysis of theory.

Chai begins with P. B. Shelley on the need for conceptual framework, or theory. He then considers how Friedrich Wolf and...

One of early Enlightenment Spain's most important scholars, Andres Gonzalez de Barcia (1673-1743) produced more than two dozen critical editions of some of Spain's most significant works on the New World, many of which were already rare when he published them. In this highly original new book, Jonathan E. Carlyon traces Gonz?lez de Barcia's work as editor, bibliographer, and author, focusing on his program of scholarly republication that resulted in the creation of the first comprehensive colonial Spanish American library.

Gonz?lez de Barcia established his collection to provide the...

In Victorian society the circulation of periodicals and newspapers is thought to have been larger and more influential than that of books. To investigate this premise, J. Don Vann and Rosemary T. VanArsdel commissioned eighteen bibliographic essays by some of the world's leaading scholars in the field of periodical research. The collection is a guide to the exploration of Victorian society including professions (law, medicine, architecture, the military, science); the arts (music, illustration, theatre, authorship and the book trade); occupations and commerce (transport, finance, trade,...

Vast in its scope and depth of scholarship, this second volume of the History of the Book in Canada extends the landmark research on Canadian book and print culture from 1840 to the end of the First World War. During this time, the lives of Canadians were shaped by technological innovation, political change, and settlement of the West by immigrants from Europe and migrants from eastern and central Canada and the United States. The development of steam power, telegraphy, photography, electricity, and the railroads transformed the book trades.

Whether it was an urban daily, a...

This collection of commissioned essays re-evaluates the role of medieval women as readers, authors, and subjects of books, and the depiction of the relationships between women and books in medieval art. The fourteen essays cover such diverse topics as the development of a female audience for books, examinations of illuminations of and for women in books of hours, and how female authors viewed themselves, as well as the manufacture and collection of books and images by women.

Dealing specifically with the relationships between women and images, the volume will be of interest to art...

The most basic unit of the physical book is the page. It has determined the historical evolution of the book, the types of information communicated, and how the audience accesses that information.

Unique and rewarding in both its scope and approach, The Future of the Page is a collection of essays that presents the best of recent critical theory on the history and future of the page and its enormous influence on Western thought and culture. Spanning the centuries between the earliest record of the page and current computerized conceptions of page-like entities, the essays...

In this scholarly yet highly accessible work, Eva Hemmungs WirtEn traces three main themes within the scope of cultural ownership: authorship as one of the basic features of print culture, the use of intellectual property rights as a privileged instrument of control, and finally globalization as a pre-condition under which both operate. Underwritten by rapid technological change and increased global interdependence, intellectual property rights are designed to protect a production that is no longer industrial, but informational.

No Trespassing tells the story of a century...

In The Book Unbound, scholars and editors examine how best to use new technological tools and new methodologies with artefacts of medieval literature and culture. Taking into consideration English, French, Anglo-Norman, and Latin texts from several periods, the contributors examine and re-evaluate traditional approaches to and conclusions about medieval books and the cultural texts they contain - literary, dramatic, legal, historical, and musical. The essays range from detailed examinations of specific codices to broader theoretical discussions on past and present editorial...

The Myth of Print Culture is a critique of bibliographical and editorial method, focusing on the disparity between levels of material evidence (unique and singular) and levels of text (abstract and reproducible). It demonstrates how the particulars of evidence are manipulated in standard scholarly arguments by the higher levels of textuality they are intended to support.

The individual studies in the book focus on a range of problems: basic definitions of what a book is; statistical assumptions; and editorial methods used to define and collate the presumably basic unit of...

Impressive in scope and erudition, Christopher Knight's Uncommon Readers focuses on three critics whose voices - mixing eloquence with pugnacity - stand out as among the most notable independent critics working during the last half-century. The critics are Denis Donoghue, Frank Kermode, and George Steiner, and their independence - a striking characteristic in a time of corporate criticism - is reflective of both their backgrounds (Donoghue's Catholic upbringing in Protestant-ruled Northern Ireland; Kermode's Manx beginnings; and Steiner's Jewish upbringing in pre-Holocaust Europe)...

In this scholarly yet highly accessible work, Eva Hemmungs Wirten traces three main themes within the scope of cultural ownership: authorship as one of the basic features of print culture, the use of intellectual property rights as a privileged instrument of control, and finally globalization as a pre-condition under which both operate. Underwritten by rapid technological change and increased global interdependence, intellectual property rights are designed to protect a production that is no longer industrial, but informational.

No Trespassing tells the story of a century of...

In 1997, a team of historians, librarians, and literary scholars from across the country joined the growing number of researchers around the world studying print culture on a national scale and took up the task of producing a history for Canada. Volume one of the History of the Book in Canada - the first of three volumes in this collaborative project - examines the role of print in the political, religious, intellectual, and cultural life of the colonies that eventually became Canada.

This volume begins with Aboriginal peoples who maintained their stories and history both...

The History of the Book in Canada is one of this country's great scholarly achievements, with three volumes spanning topics from Aboriginal communication systems established prior to European contact to the arrival of multinational publishing companies. Each volume observes developments in the realms of writing, publishing, dissemination, and reading, illustrating the process of a fledgling nation coming into its own. The third and final volume follows book history and print culture from the end of the First World War to 1980, discussing the influences on them of the twentieth...

Breaking new ground in the study of British literary culture during an important, transitional period, this new work by Mary Ann Gillies focuses on the professional literary agent whose emergence in Britain around 1880 coincided with, and accelerated, the transformation of both publishing and authorship.

Like other recent studies in book and print culture, The Professional Literary Agent in Britain, 1880-1920 starts from the central premise that the business of authorship is inextricably linked with the aesthetics of literary praxis. Rather than provide a broad overview of...

Studies in the culture and history of the book are a burgeoning academic specialty. Intriguing, rigorous, and vital, they are nevertheless rooted within three major academic disciplines - history, literary studies, and bibliography - that focus respectively upon the book as a cultural transaction, a literary text, and a material artefact. Old Books and New Histories serves as a guide to this rich but sometimes confusing territory, explaining how different scholarly approaches to what may appear to be the same entity can lead to divergent questions and contradictory answers. Rather...

Sylvia Beach was intimately acquainted with the expatriate and visiting writers of the Lost Generation, a label that she never accepted. Like moths of great promise, they were drawn to her well-lighted bookstore and warm hearth on the Left Bank. Shakespeare and Company evokes the zeitgeist of an era through its revealing glimpses of James Joyce, Ernest Hemingway, Scott Fitzgerald, Sherwood Anderson, Andre Gide, Ezra Pound, Gertrude Stein, Alice B. Toklas, D. H. Lawrence, and others already famous or soon to be.

In his introduction to this new edition, James Laughlin recalls...