Kategoria BISAC: Literary Criticism >> Science Fiction & Fantasy

" Malmgren] succeeds in formulating a typology of science fiction that will become a standard reference for some years to come."--Choice

..". the most intelligently organized and effectively argued general study of SF that I have ever read."--Rob Latham, SFRA Review

..". required reading for its evenhanded overview of so much of the previous critical/theoretical material devoted to science fiction." --American Book Review

Worlds Apart provides a comprehensive theoretical model for science fiction by examining the worlds of science fiction and the discourse which inscribes...

Unprecedented in range and scope, this volume serves as a record of and reference for the development of fantasy literature. Working to be inclusive, rather than exclusive, opening a dialogue wherever possible, Sandner presents the full range of debates concerning the fantastic and its relationship to the sublime, the Gothic, children's literature, romance and comedy, and the purposes of imaginative literature. Introductions to each essay, presented in full or excerpted for the most relevant commentary, situate the reader in the history of fantasy literature and the criticism it has...

Techno-heaven or techno-hell? If you believe many scientists working in the emerging fields of twenty-first-century technology, the future is blissfully bright. Initially, human bodies will be perfected through genetic manipulation and the fusion of human and machine; later, human beings will completely shed the shackles of pain, disease, and even death, as human minds are downloaded into death-free robots whereby they can live forever in a heavenly "posthuman" existence. In this techno-utopian future, humanity will be saved by the godlike power of technology.

If you believe the...

Robert E. Myers has assembled a collection of essays which explore aspects of the relationship between science fiction and philosophy. Contributing authors focus on significant issues, questions, and ideas that penetrate to the center of our individual and social conceptions of human existence, and affect the ways in which we attempt to comprehend our world, ourselves, and others. The authors bring to this study the insights of diverse disciplines: philosophy, social science, poetry, linguistics, future studies, medical humanities, and literature. Dealing exclusively with topics relating...

In this first study of Doris Lessing's science fiction, Fishburn devotes a chapter to each of Lessing's seven novels. Her major argument is that Lessing uses these novels to change our perception of reality by describing worlds that are simultaneously similar to and different from our own. Of particular importance is the fact that each narrator, by functioning as an intermediary or guide-leader, helps skeptical readers to experience the alien worlds of Lessing's imagination. As she traces the development of these seven narrators, Fishburn shows how they eventually fulfill the role of the...

This lively collection offers a wide-ranging exploration of the erotic and the fantastic in painting, illustration, and frilm. It covers Western art of six centuries--from medieval woodcuts to contemporary poster art--and the cinema of six decades--from horror classics of the 1930s to recent slasher films--documenting the surprising variety of guises in which sexuality appears in fantasy art and cinema. Among the subjects treated are occult eroticism in Medieval and Renaissance art; the use of fantasy as a vehicle for depicting erotic subjects in periods of sexual repression; the...

The first examples of travel to the past appear early in the nineteenth century, but it was not until the publication of Mark Twain's "A Connecticut Yankee in King Arthur's Court" that we see a hero taking advantage of a combination of hindsight and advances in technology to build an empire in the past. Given that this scenario is such a common twentieth-century fantasy, its late appearance is somewhat surprising. As fewer and fewer writers find travel to the future an appealing scenario, travel to the past and to paratime--alternative universes--have come increasingly to the forefront....

This study provides a fascinating look at the various ways in which 20th-century fantasy writers have used Welsh Celtic mythology and folklore in their work. Following the theories formulated by such scholars as John Vickery and Joseph Campbell, the use of Celtic materials by each of the authors is discussed from a mythology-in-literature perspective. Sullivan presents an extensive accounting of the Celtic material used and explores the primary ways in which the authors incorporate it into their fiction, both structurally and thematically.

Sullivan identifies and analyzes the nature and...

Strange Shadows opens a window into the dark, visionary worlds of Clark Ashton Smith, whose verbal black magic was a significant force in the American science fiction and fantasy movement of the 1930s. This annotated collection of his previously unpublished works provides a unique opportunity to savor the full range of Smith's literary contribution. Featuring fantasies and ironic short stories, prose-poems, plays, unfinished stories, and more than 100 story synopses, it offers valuable documentation and commentary on the work of one of the most distinctive and consistently...

Addressing the world of the imaginary, the dream, the uncanny, the paranormal, and all forms of speculative fiction, Contours of the Fantastic is a collection of twenty-two essays that were originally presented at the Eighth International Conference on the Fantastic in the Arts at Houston in 1987. The volume gives valuable perspectives on the territory covered by the fantastic, showing the diversity of the field and the variety of approaches used to survey and comprehend it. Each essay brings its own method of investigation--phenomenological, theoretical, historical, sociological,...

"Staging the Impossible" explores the most recent critical thinking on the relationship between the literary mode of the fantastic and the literary genre of drama with respect to modern theatre. While a few monographs treat a particular dimension of the fantastic in drama, the Gothic or the fairy tale for instance, no other volume provides a critically sophisticated introduction to the diversity of fantastic drama written and performed in this century. The essays here lay to rest the illusion that realism is the only genuine form of theatrical expression and the notion that cinema special...