Kategoria BISAC: Literary Criticism >> European - Scandinavian

Scandinavian popular novels and films have flourished in the last thirty years. In Crime and Fantasy in Scandinavia, Andrew Nestingen argues that the growth and visibility of popular culture have been at the heart of the development of heterogeneous "publics" in Scandinavia, in opposition to the homogenizing influence of the post-World War II welfare state. Novels and films have mobilized readers and viewers, serving as a preeminent site for debates over individualism, collectivity, national homogeneity, gender, and transnational relations.

Crime and Fantasy in...

..".spare, psalmlike poems....Together, the poems in this beautifully translated selection...provide us with the autobiography of a poet who felt most at home during winter, in solitude. Hauge deserves a larger American readership, and this book may summon it." "Publishers Weekly"

"(Hauge's) poetry is miniaturist, pictorial, and ruminative; personal in that his experience, cognitive and sensual observations, and intentions are everywhere in it. Yet it isn't at all confessional or self-assertive....He is a man who knows where he is and helps us feel that we can know where we are, too."...

As an introduction to modern myth, "The Golden Horns" masterfully encompasses a wide circle of historical and literary materials. John Greenway first establishes the theoretical base of his discussion by examining the nature of time in Norse mythic consciousness. After suggesting several ways in which the mythic apprehension of reality conditioned medieval Icelandic narrative, he then elaborates on the dialectical relationship between myth and reason.

Maintaining that myth is neither true nor false but always either expressive or not, the author then traces the origin, rise, and fall of...

Scandinavian popular novels and films have flourished in the last thirty years. In Crime and Fantasy in Scandinavia, Andrew Nestingen argues that the growth and visibility of popular culture have been at the heart of the development of heterogeneous "publics" in Scandinavia, in opposition to the homogenizing influence of the post-World War II welfare state. Novels and films have mobilized readers and viewers, serving as a preeminent site for debates over individualism, collectivity, national homogeneity, gender, and transnational relations.

Crime and Fantasy in Scandinavia provides...

Why would Snorri Sturluson (c. 1179-1241), the most powerful and rapacious Icelander of his generation, dedicate so much time and effort to producing the Edda, a text that is widely recognized as the most significant medieval source for pre-Christian Norse myth and poetics? Kevin J. Wanner brings us a new account of the interests that motivated the production of this text, and resolves the mystery of its genesis by demonstrating the intersection of Snorri's political and cultural concerns and practices.

The author argues that the Edda is best understood not as an antiquarian labour...