Kategoria BISAC: Literary Criticism >> Jewish

Throughout his career, David Grossman has been a voice for peace and reconciliation between Israel and its Arab citizens and neighbors. In these six essays on politics and culture in Israel, he addresses the conscience of a country that has lost faith in its leaders and its ideals. This collection, Writing in the Dark, includes an already famous speech concerning the disastrous Second Lebanon War of 2006, the war that took the life of Grossman's twenty-one-year-old son, Uri.

Moving, human, clear-sighted, and courageous, touching on literature and artistic creation as well as...

The first Jewish woman to leave her mark as a writer and intellectual, Sarra Copia Sulam (1600?-41) was doubly tainted in the eyes of early modern society by her religion and her gender. This remarkable woman, who until now has been relatively neglected by modern scholarship, was a unique figure in Italian cultural life, opening her home, in the Venetian ghetto, to Jews and Christians alike as a literary salon.

For this bilingual edition, Don Harran has collected all of Sulam's previously scattered writings-letters, sonnets, a "Manifesto"-into a single volume. Harran has also assembled...

Milt Gross (1895-1953), a Bronx-born cartoonist and animator, first found fame in the late 1920s, writing comic strips and newspaper columns in the unmistakable accent of Jewish immigrants. By the end of the 1920s, Gross had become one of the most famous humorists in the United States, his work drawing praise from writers like H. L. Mencken and Constance Roarke, even while some of his Jewish colleagues found Gross' extreme renderings of Jewish accents to be more crass than comical.

Working during the decline of vaudeville and the rise of the newspaper cartoon strip, Gross captured...

Unpacking the work of Allegra Goodman, Tova Mirvis,...

The volume examines the autobiographical texts by Saul Friedlander and Ruth Kluger in the context of their academic work. Both their scholarly and their autobiographical work are subjected to the tension between the opposing poles on the one hand of wishing to approach a reality outside the text and on the other of being aware that every interpretation always depends on the contemporary context and personal background of the interpreter. Thus Friedlander and Kluger approach each other from the two poles of disciplines traditionally opposed to each other - the study of history, directed...