Kategoria BISAC: Literary Criticism >> Jewish

Theorists of autobiography tend to emphasize the centrality of the individual against the community. By contrast, in her reading of Hebrew autobiography, Tamar Hess identifies the textual presence and function of the collective and its interplay with the Israeli self. What characterizes the ten writers she examines is the idea of a national self, an individual whose life story takes on meaning from his or her relation to the collective history and ethos of the nation. Her second and related argument is that this self--individually and...

Ludwig Wittgenstein, the central founder of the linguistic turn and the inspiration of countless works, inspires the search of this book for various linguistic functions: Dialogic, aesthetic, and mystical. The search...

For nineteenth-century Eastern European Jews, modernization entailed the abandonment of arranged marriage in favor of the "love match." Romantic novels taught Jewish readers the rules of romance and the choreography of courtship. But because these new conceptions of romance were rooted in the Christian and chivalric traditions, the Jewish embrace of "the love religion" was always partial.

In The Marriage Plot, Naomi Seidman considers the evolution of Jewish love and marriage though the literature that provided Jews with a sentimental education, highlighting a persistent...

For nineteenth-century Eastern European Jews, modernization entailed the abandonment of arranged marriage in favor of the "love match." Romantic novels taught Jewish readers the rules of romance and the choreography of courtship. But because these new conceptions of romance were rooted in the Christian and chivalric traditions, the Jewish embrace of "the love religion" was always partial.

In The Marriage Plot, Naomi Seidman considers the evolution of Jewish love and marriage though the literature that provided Jews with a sentimental education, highlighting a persistent...

This volume will deal with the significance of the avant-garde(s) for modern Jewish culture and the impact of the Jewish tradition on the artistic production of the avant-garde, be they reinterpretations of literary, artistic, philosophical or theological texts/traditions, or novel theoretical openings linked to elements from Judaism or Jewish culture, thought, or history.

This volume collects studies of classical Hebrew by one of the foremost scholars of this language in our time. Moshe Bar-Asher has published dozens of studies of Hebrew, Aramaic, and Arabic, spanning nearly three thousand years of texts and dialects. This volume presents 24 of them in English, dealing with the language of the Bible, the Dead Sea Scrolls, and Rabbinic Literature.

While much early Yiddish literature belonged to pious genres, quasi-secular genres--epic, drama, and lyric--also developed. Jerold Frakes contends that the historical context of the emergence of Yiddish literature is an essential factor in any understanding of its cultural relevance in a time and place where Jewish life was defined by expulsions, massacres, and discriminatory legislation that profoundly altered European Judaism and shook the very foundations of traditional Jewish society.

Moses Almosnino (1518-1580), arguably the most famous Ottoman Sephardi writer and the only one who was known in Europe to both Jews and Christians, became renowned for his vernacular books that were admired by Ladino readers across many generations. While Almosnino's works were written in a style similar to contemporaneous Castilian, Olga Borovaya makes a strong argument for including them in the corpus of Ladino (Judeo-Spanish) literature. Borovaya suggests that the history of Ladino literature begins at least 200 years earlier than previously believed and that Ladino, like most other...