Kategoria BISAC: Literary Criticism >> European - Italian

Short accessible introductions to European literature and culture. Twentieth-century Italy was marked by a profound and often convulsive transformation in both society and culture, accompanied at various stages by war, violence and dictatorship. This was Italy's 'difficult' entry into modernity. The voices of Italian literature responded to this transformation with a bewildering combination of excitement and anxiety, from the loud embrace of the new in Futurism to melancholy laments for tradition. In the process, some of the greatest works of modern literature were created. Robert Gordon...

One of the most famous and prestigious of Renaissance schools, Italy's University of Padua attracted a notable body of students from England, including such well-known alumni as Thomas Linacre, Thomas Starkey, and William Harvey. In this work Jonathan Woolfson looks at the reasons why so many Englishmen went to Padua, what they did there, and most importantly, the various ways in which their studies had an impact on Tudor life and thought.

Covering a formidable range of intellectual history, Woolfson explores the complex processes of cultural transmission between Italy and England in...

Ludovico Ariosto's Orlando furioso is one of the masterpieces of the Renaissance, a work which, many argue, signalled the apogee of Renaissance fancy on the precipice of irony and decline. This collection of essays brings together twelve noted Italian and American scholars to provide a complete picture of Ariosto and all his works, covering topics such as historical criticism relating to Ariosto's place and time; philological investigations into the varying literary styles of the author, especially outside of the Furioso; Ariosto's extrinsic relationships with other literary...

Ricci's book ranges widely over Calvino's oeuvre to illustrate the accuracy of the idea articulated by Calvino himself that a visual image lies at the origin of all his narrative. The book's main theme is the difficult interface between word and image that Calvino struggled with throughout his career, the act of perception that rendered visible that which was invisible and transformed what was seen into what is read. Ricci holds that Calvino's narrative has an 'imagocentric' program and that his literary strategy is 'ekphrastic' i.e. it is characterized by literary description of visual...

From the mysterious glosses by 'EK' in the poetry of Edmund Spenser, to the self-commentary in Vladimir Nabokov's Pale Fire, readers of literature have been fascinated by the comments, addenda, and footnotes added by authors to their own work. In this insightful and original work, Sherry Roush investigates poets' motivations for writing glosses. She argues that self-commentary differs fundamentally from standard commentary, and that it does not necessarily impose an authoritative reading, determine the poem's significance, or furnish factual autobiographical information. Rather,...

Aldo Palazzeschi (1885-1974) is arguably the major twentieth-century Italian writer who has been most neglected by the English-speaking world. Born in Florence and trained as an actor, Palazzeschi ranks high as a poet and fiction writer in his homeland. His work, which attempts to recreate the experience of a spectator watching and listening to a character on stage, won him the praise of F.T. Marinetti, the founder of Italian futurism, who enrolled the young poet in his avant-garde coterie despite the fact that, stylistically, Palazzeschi's work had little in common with...

The ugly woman is a surprisingly common figure in Italian poetry, one that has been frequently appropriated by male poetic imagination to depict moral, aesthetic, social, and racial boundaries. Mostly used between the thirteenth and seventeenth centuries - from the invectives of Rustico Filippi, Franco Sacchetti, and Burchiello, to the paradoxical praises of Francesco Berni, Niccolo Campani and Pietro Aretino, and further to the conceited encomia of Giambattista Marino and Marinisti - the portrayal of female unattractiveness was, argues Patrizia Bettella in The Ugly Woman, one way...

Giovanni Boccaccio's Decameron is the best known and most read work in Italian literature next to Dante's Divine Comedy. In the tradition of Lectura Dantis, the practice of story-by-story critical readings of Dante's work, Elissa Weaver has collected essays from some of the most prominent American Boccaccio scholars to provide critical readings of the Decameron Proem, Introduction, and the ten stories that constitute the first of the ten 'days' of storytelling.

The first of the twelve essays opens the volume with a consideration of the Proem, demonstrating...

Aldo Palazzeschi (1885-1974) is arguably the major twentieth-century Italian writer who has been most neglected by the English-speaking world. Born in Florence and trained as an actor, Palazzeschi ranks high as a poet and fiction writer in his homeland. His work, which attempts to recreate the experience of a spectator watching and listening to a character on stage, won him the praise of F.T. Marinetti, the founder of Italian futurism, who enrolled the young poet in his avant-garde coterie despite the fact that, stylistically, Palazzeschi's work had little in common with...

Pietro Aretino (1492-1556) was one of the most important figures in Italian Renaissance literature, and certainly the most controversial. Condemned by some as a pornographer, his infamy was due largely to his use of explicit sexuality and the vulgar tongue of ordinary speech in much of his work.

Dialogues centres around a conversation between two rather frank, experienced, and sharp-tongued women on the topic of women's occupations. We learn that at the time there were only three: wife, whore, or nun. Their discussion is a rollicking account of the advantages, perils, and...

Three names dominate the Italian novel in the English-speaking world - Italo Calvino, Primo Levi, and Umberto Eco. Yet since the late 1960's there have been many more important Italian writers whose work remains unknown outside Italy.

This ground-breaking book brings their writings to a wider audience, offering general critical introductions to fifteen contemporary novelists whose work is of an international calibre. Central to most is a preoccupation with the relationship between writing and the world. The authors deal with a vast range of topics and periods - including present-day...

Giovanni Boccaccio's Decameron is the best known and most read work in Italian literature next to Dante's Divine Comedy. In the tradition of Lectura Dantis, the practice of story-by-story critical readings of Dante's work, Elissa Weaver has collected essays from some of the most prominent American Boccaccio scholars to provide critical readings of the Decameron Proem, Introduction, and the ten stories that constitute the first of the ten 'days' of storytelling.

The first of the twelve essays opens the volume with a consideration of the Proem, demonstrating...

Both a passionate denunciation of masculinist readings of the Decameron and a meticulous critique of previous feminist analyses, Marilyn Migiel's A Rhetoric of the Decameron offers a sophisticated re-examination of the representations of women, men, gender identity, sexuality, love, hate, morality, and truth in Boccaccio's masterpiece. The Decameron stages an ongoing, dynamic, and spirited debate about issues as urgent now as in the fourteenth century - a debate that can only be understood if the Decameron's rhetorical objectives and strategies are completely...

Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde within the Italian critical tradition. Focussing on the confrontation between these concepts and the broader notion of international modernism, the essays in this important collection seek to understand this complex phase of literary and artistic practices as a response to the epistemes of philosophical and scientific modernity at the end of the nineteenth century and in the first three decades of the...

Looking at five of Italo Calvino's often neglected early novels: The Young People of Po, The Cloven Viscount, The Baron in the Trees, The Non-Existent Knight, and The Watcher, Eugenio Bolongaro argues that these works, written between 1948 and 1963, contain a sustained meditation on the role of the intellectual and on the irreducible ethical and political dimension of literature. This meditation provides an insight into a crucial moment in Calvino's development as a writer, and allows Bolongaro to lay the groundwork for a more 'political' reading of...

In 1996, Ignazio Silone, one of the most beloved folk heroes of the Italian Left, a novelist and a high-ranking Communist Party member, was unmasked as a secret supporter of the Fascist movement. The discovery sparked a highly emotional response among scholars and the press in Italy and beyond, with reactions ranging from debate to disbelief.

Elizabeth Leake's fascinating study provides a new analysis of Silone's fiction based on the discovery of his double life. Drawing on a psychoanalytic approach, the author re-reads Silone's novels in the light of his inevitable struggle with his...

Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts.

In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted...