Kategoria BISAC: Literary Criticism >> Gothic & Romance

• Considers the literary and historical development of the romance genre from its classical origins to the present day
  
• Incorporates discussion of the changing readership of romance and of romance's special relation to women readers
  
• Comprises 30 essays written by leading authorities on different periods and sub-genres
  
• Challenges the idea that...

A treasure trove examining early speculative fiction, Scarborough's covers the period from Horace Walpole's Castle of Otranto and other Gothic romances straight through to the author's own present times in the early 20th Century. Horror and fantasy were a major part of the world's literary output from the very beginnings of popular literature. From Walpole, Maturin, and Shelley right through to Doyle, Machen, and Blackwood, Scarborough reveals the best works in an accessible and well-organized fashion.

The New England Milton concentrates on the poet's place in the writings of the Unitarians and the Transcendentalists, especially Emerson, Thoreau, William Ellery Channing, Jones Very, Margaret Fuller, and Theodore Parker, and demonstrates that his reception by both groups was a function of their response as members of the New England elite to older and broader sociopolitical tensions in Yankee culture as it underwent the process of modernization. For Milton and his writings (particularly Paradise Lost) were themselves early manifestations of the continuing crisis of...

In a wide ranging series of introductory essays written by some of the leading figures in the field, this essential guide explores the world of Gothic in all its myriad forms throughout the mid-eighteenth Century to the internet age.

The Routledge Companion to Gothic includes discussion on:

• the history of Gothic


• gothic throughout the English-speaking world i.e. London and USA as well as the postcolonial landscapes of Australia, Canada and the Indian subcontinent


• key themes and concepts ranging from hauntings and the uncanny; Gothic...

Long celebrated as a great aesthetic idealist and champion of the imagination, Coleridge is now beginning to be understood as a literary critic with many other dimensions, with exciting and far-reaching insights into language, and with detailed notions about the psychological, historical, and linguistic demands of the literary experience.

In this study, Timothy Corrigan sees Coleridge's criticism as "the product of an actively self-conscious reader, of a precise user of language, and, most of all, of a historical man involved with the demands of his day." Specifically he studies the...