Kategoria BISAC: Literary Criticism >> Gothic & Romance

Certain works of Romantic drama--Prometheus Unbound, Cain, The Cenci--have received a good deal of critical attention, by as a whole the genre has been misunderstood and only slightly considered. Alan Richardson redresses a tradition of critical neglect by considering the works of Romantic drama not as failed stage-plays ("closet drama") but as constituting a new, distinctively Romantic genre. In turning from the contemporary stage--which was marked by spectacle, rant, and melodrama--the Romantic poets developed an altogether new kind of drama, one which they...

Founded in 1960 by a group of relatively unknown young writers, Tel Quel quickly became one of the most influential literary journals and controversial intellectual movements in France. During the following two decades Tel Quel published the best in French intellectual thought and writing, including Roland Barthes, Georges Bataille, Jacques Derrida, Jean-Pierre Faye, Michel Foucault, Gerard Genette, Julia Kristeva, Bernard-Henri Levy, Marcelin Pleynet, Philippe Sollers, and Tzvetan Todorov. By focusing on Tel Quel as an instrument of cultural renewal, Danielle...

The first full-fledged application of the sacrificial model to fiction from the Middle Ages to the modern era.

Cesareo Bandera contends that we badly misjudge our own historical situation if we believe that the sacred is something that can be left behind or ignored as utterly irrelevant. The Sacred Game argues that the sacred is all around us and its most characteristic manifestation is precisely the "allergic" reaction and subsequent barrier it produces in our "secular" sensitivity as soon as we come in contact with it.

The Sacred Game examines the...

Awarded the 2005 Jean-Pierre Barricelli Book Prize by the International Conference on Romanticism

This book explores a cosmopolitan tradition of nineteenth-century novels written in response to Germaine de Stael's originary novel of the artist as heroine, corinne. The first book to delineate the contours of an international women's Romanticism, it argues that the kunstlerromane of Mary Shelley, Bettine von Arnim, and George Sand offer feminist understandings of history and transcendence that constitute a critique of Romanticism from within. The book...

Bringing together some of the best current practitioners of historical and formal criticism, Reading Renaissance Ethics assesses the ethical performance of renaissance texts as historical agents in their time and in ours.

Exploring the nature and mechanics of cultural agency, the book explains with greater clarity just what is at stake when canon-formation, aesthetic evaluation and curricular reform are questioned and revised. Taking seriously the question of what to read requires us to consider exactly what it is that we do when we read and when we write about our reading....

Northrop Frye's thinking has had a pervasive impact on contemporary interpretations of our literary and cultural heritage. In his Anatomy of Criticism, a landmark in the history of modern critical theory, he demonstrated his genius for mapping out the realm of imaginative creation. In The Secular Scripture he turns again to the task of establishing a broad theoretical framework, bringing to bear his extraordinary command of the whole range of literature from antiquity to the present.

Romance, a mode of literature trafficking in such plot elements as mistaken identity,...

Why are rocks and landforms so prominent in British Romantic poetry? Why, for example, does Shelley choose a mountain as the locus of a "voice . . . to repeal / large codes of fraud and woe"? Why does a cliff, in the boat-stealing episode of Wordsworth's Prelude, chastise the young thief? Why is petrifaction, or "stonifying," in Blake's coinage, the ultimate figure of dehumanization?

Noah Heringman maintains that British literary culture was fundamentally shaped by many of the same forces that created geology as a science in the period 1770 1820. He shows that landscape aesthetics the...

"Indispensable . . . Lau's edition will prove of inestimable benefit as a rich textual resource for scholars, teachers, and students working on a variety of cutting-edge topics."--Greg Kucich, University of Notre Dame

This edition and analysis of John Keats's marginalia in his personal copy of Milton's epic poem makes available for the first time all of Keats's Paradise Lost annotations and textual markings. It is the most accurate and fully annotated edition of the marginalia available. Accompanying discussion analyzes patterns and themes in Keats s Paradise Lost...

"A penetrating account not simply of the poems themselves but of the theoretical positions that have informed their reading during the past forty years. . . . O'Rourke] is particularly shrewd in suggesting the dialogue between New Criticism and post-structuralism that has been played out in their lines."--Frances Ferguson, Johns Hopkins University

James O'Rourke examines the ways in which the modern reception to Keats s major odes reveals the investments made in these poems by successive generations of critical schools, particularly New Criticism, psychoanalysis, deconstruction, and...