Kategoria BISAC: Literary Criticism >> LGBTQ+

The Narratologiaseries publishes state-of-the-art monographs and collective volumes devoted to modern narrative theory and its historical reconstruction in all the philological disciplines. It is the first narratological forum of its kind in Germany. In addition to literary texts, the series focuses on narration in everyday contexts, in pictorial media, in film and in the new media as well as on narration in historiography, ethnology, medicine, and the law.

The series publishes in German and English. All volumes are peer reviewed by two anonymous assessors.

Beemyn and Rankin track the formation of...

Leading scholars in literary criticism, anthropology, sociology, and philosophy explore such topics as "Gypsies" in the Western imagination, the mobilization of...

What makes the textual image of a woman with a penis so compelling, malleable, and persistent? Although the figure of the phallic woman is in no sense unique to our age, Every Inch a Woman takes note of a proliferation of phallic feminine figures in disparate North American and European texts from the end of the nineteenth century onward. This multiplication, which continues today, admits of a corresponding multiplicity of motives. The phallic woman can be a ribald joke, a fantastical impossibility, a masculine usurper, an ultimately unthreatening sexual style, an interrogation into...

Opacity and the Closet interrogates the viability of the metaphor of "the closet" when applied to three important queer figures in postwar American and French culture: the philosopher Michel Foucault, the literary critic Roland Barthes, and the pop artist Andy Warhol. Nicholas de Villiers proposes a new approach to these cultural icons that accounts for the queerness of their works and public personas.

Rather than reading their self-presentations as "closeted," de Villiers suggests that they invent and deploy productive strategies of "opacity" that resist the closet and the...

At the center of" In Dark Again in Wonder" are readings of Rene Char (1907-88) and George Oppen (1908-84). Both of these poets achieved recognition at a young age, Char among the French surrealists in the 1930s, Oppen among the American objectivists in the same decade. Both were independent individuals who, having found their way to communities of inventive writers, stepped back and shaped their own idiosyncratic paths. Both responded decisively to the social upheavals of the 1930s and 40s. Oppen committed himself to radical politics in the 30s, a decision that, as it turned out, led to...

Cognition, Literature, and History models the ways in which cognitive and literary studies may collaborate and thereby mutually advance. It shows how understanding of underlying structures of mind can productively inform literary analysis and historical inquiry, and how formal and historical analysis of distinctive literary works can reciprocally enrich our understanding of those underlying structures. Applying the cognitive neuroscience of categorization, emotion, figurative thinking, narrativity, self-awareness, theory of mind, and wayfinding to the study of literary works and...