Kategoria BISAC: Literary Criticism >> European - General

Arguing that the consecrated body in the Eucharist is one of the central metaphors structuring The Divine Comedy, this book is the first comprehensive exploration of the theme of transubstantiation across Dante's epic poem. Drawing attention first to the historical and theological tensions inherent in ideas of transubstantiation that rippled through Western culture up to the early fourteenth century, Sheila Nayar engages in a Eucharistic reading of both the "flesh" allusions and "metamorphosis" motifs that thread through the entirety of Dante's poem.

From the cannibalistic...

Studies in Eighteenth-Century Culture reflects new and highly promising directions of research in the field. The latest volume contains essays by Paula R. Backscheider on theatrical spectacle and by April London on anecdote in Sarah Fielding, as well as considerations of translation in Dennis by Sarah B. Stein, of family in Defoe by Ann Campbell, of ideology in Fantomina by Patricia Comitini, of popular music in Rousseau by Rebecca Dowd Geoffroy-Schwinden.

In addition, readers will find studies of the body in Berkeley by Joanne E. Myers, of prostitution in Restif de...

The emblem, occupying a territory bordering literature and fine arts, was long unclaimed by scholars. But recently emblems have become the subject of resurgent interest as a key element in semiotics, communications theory, and the sociology of production and reception. his volume (the first of a series dealing with the English tradition) follows the two devoted to the emblems of Andreas Alciatus in Latin and in the main vernacular translations which comprise volume 1 of the Index Emblematicus.

The books indexed in this volume are: Jan van der Noot's A Theatre for Voluptuous...

Taking its cue from recent theories of literary geography and fiction, Genealogical Fictions argues that narratives of familial decline shape the history of the modern novel, as well as the novel's relationship to history. Stories of families in crisis, Jobst Welge argues, reflect the experience of historical and social change in regions or nations perceived as -peripheral.- Though geographically and temporally diverse, the novels Welge considers all demonstrate a relation among family and national history, genealogical succession, and generational experience, along with social...

This new collection from Cathy Caruth features interviews with a diverse group of leaders in the theorization of, and response to, traumatic experience in the twentieth and twenty-first centuries. Crossing the boundaries of discipline and profession, Caruth's subjects include literary theorists and critics, psychoanalysts, psychiatrists, psychologists, political activists, filmmakers, public intellectuals, institutional leaders, and researchers. Exploring the intertwining of the intellectual and personal dimensions of experience, each interview is accompanied by Caruth's intimate...

Though the work of Irish writers has been paramount in conventional accounts of literary modernism, Ireland itself only rarely occupies a meaningful position in accounts of modernism's historical trajectory. With an itinerary moving not simply among Dublin, Belfast, and London but also Paris, New York, Addis Ababa, Rome, Berlin, Geneva, and the world's radio receivers, Ireland and the Problem of Information examines the pivotal mediations through which social knowledge was produced in the mid-twentieth century. Organized as a series of cross-fading case studies, the book argues...

A sport and a military exercise, hunting involved aggressive action with weapons and dogs, and pursuit to the point of combat and killing, for the sake of recreation, food or conquest. The Stag of Love explores the body of erotic metaphor that developed from the hunt together with Ovid's flourishing legacies. While representing a range of human experience, the metaphor finds its dominant expression in the literature of love. As Marcelle Thiebaux demonstrates, the hunt's disciplined violence represented sexual desire, along with strategies and arts for getting love, the joys of...

Charles Moorman reexamines several major works of the western heroic tradition: The Iliad, The Odyssey, Beowulf, The Song of Roland, The Nibelungenlied, the Norse sagas, and the Arthurian cycle. Disregarding the usual limited definitions which have controlled the study of heroic literature, he draws together these disparate works by proposing a theme common to them all: the opposition of two major figures whom he names king and captain.

The figure of the king arises from the community with its need for responsible government, while the captain, derived from myth, is a highly...