Kategoria BISAC: Literary Criticism >> Caribbean & Latin American

A leader in the social movement that achieved Trinidad and Tobago's independence from Britain in 1962, Eric Williams (1911-1981) served as its first prime minister. Although much has been written about Williams as a historian and a politician, Maurice St. Pierre is the first to offer a full-length treatment of him as an intellectual. St. Pierre focuses on Williams's role not only in challenging the colonial exploitation of Trinbagonians but also in seeking to educate and mobilize them in an effort to generate a collective identity in the struggle for independence. Drawing on extensive...

A leader in the social movement that achieved Trinidad and Tobago's independence from Britain in 1962, Eric Williams (1911-1981) served as its first prime minister. Although much has been written about Williams as a historian and a politician, Maurice St. Pierre is the first to offer a full-length treatment of him as an intellectual. St. Pierre focuses on Williams's role not only in challenging the colonial exploitation of Trinbagonians but also in seeking to educate and mobilize them in an effort to generate a collective identity in the struggle for independence. Drawing on extensive...

In Market Aesthetics, Elena Machado Saez explores the popularity of Caribbean diasporic writing within an interdisciplinary, comparative, and pan-ethnic framework. She contests established readings of authors such as Junot Diaz, Julia Alvarez, Edwidge Danticat, and Robert Antoni while showcasing the work of emerging writers such as David Chariandy, Marlon James, and Monique Roffey. By reading these writers as part of a transnational literary trend rather than within isolated national ethnic traditions, the author is able to show how this fiction adopts market aesthetics to engage...

In Market Aesthetics, Elena Machado Saez explores the popularity of Caribbean diasporic writing within an interdisciplinary, comparative, and pan-ethnic framework. She contests established readings of authors such as Junot Diaz, Julia Alvarez, Edwidge Danticat, and Robert Antoni while showcasing the work of emerging writers such as David Chariandy, Marlon James, and Monique Roffey. By reading these writers as part of a transnational literary trend rather than within isolated national ethnic traditions, the author is able to show how this fiction adopts market aesthetics to engage...

This book is the first collection on Indo-Caribbean women's writing and the first work to offer a sustained analysis of the literature from a range of theoretical and critical perspectives, such as ecocriticism, feminist, queer, post-colonial and Caribbean cultural theories. The essays not only lay the framework of an emerging and growing field, but also critically situate internationally acclaimed writers such as Shani Mootoo, Lakshmi Persaud and Ramabai Espinet within this emerging tradition. Indo-Caribbean women writers provide a fresh new perspective in Caribbean literature, be it in...

This edited collection challenges a long sacrosanct paradigm. Since the establishment of Caribbean literary studies, scholars have exalted an elite cohort of emigre novelists based in postwar London, a group often referred to as -the Windrush writers- in tribute to the SS Empire Windrush, whose 1948 voyage from Jamaica inaugurated large-scale Caribbean migration to London. In critical accounts this group is typically reduced to the canonical troika of V. S. Naipaul, George Lamming, and Sam Selvon, effectively treating these three authors as the tradition's founding fathers. These...

Ocasio has found a mid-point between the vision of Costumbrista writing as a source of the Afro-Cuban historical and literary experience and criticizing it for its biases and shortfalls regarding early depictions of blacks. An interesting interdisciplinary blend of literature through a sociological historical optic. Dawn Duke, author ofLiterary Passion, Ideological Commitment: Toward a Legacy of Afro-Cuban and Afro-Brazilian Women Writers

Pays detailed attention to the nuances of representation, satire, and irony, as well as the significance of silence what cannot be said in...

"Ask an authority on Brazilian culture what he considers to be the most significant artistic event in Brazil during this century," observes John Nist, "and he will quickly reply, 'The Modern Art Week Exhibition, staged in Sao Paulo in February, 1922.' This public demonstration and aesthetic manifesto represented a cut with the past, a violent break with tradition unparalleled in Brazilian history. The fact that Brazilians still discuss the poetical renovation achieved by Modernism shows how strongly the movement attacked and questioned traditional attitudes, cherished preconceptions,...

Each contribution to this book discusses key issues arising from the portrayal of men and the formation of masculine identities in a range of representative and landmark texts, fictional and non-fictional, drawn from different historical periods and from various countries in the Hispanophone Americas.

There is an emphasis on the ways in which writers from Argentina (Manuel Puig), Chile (the Spaniard Alonso de Ercilla y Zuniga and the Chilean Nicolas Palacios), Mexico (Gustavo Sainz and Angeles Mastretta) and the Hispanic USA (Jennifer Harbury and Francisco Goldman) have explored the...