Kategoria BISAC: Literary Criticism >> Canadian

Margaret Atwood enjoys a unique prominence in Canadian letters. With over thirty books to her credit, in genres ranging from children's writing to dystopic novels, she is as creatively diverse as she is internationally acclaimed. Her success, however, has been double-edged: the very popularity that makes her such a prominent figure in the literary world also renders her vulnerable to claims of being a "sell-out," as she relates in her Empson lectures. The Open Eye negotiates the space between these positions, acknowledging Atwood's remarkable achievement while considering how it...

The search for the 'Great Canadian Novel' has long continued throughout our history. Controversially, to say the least, Gerald Lynch maintains that a version of it may already have been written - as a great Canadian short story cycle. In this unique text, the author launches into a fascinating literary-historical survey and genre study of the English-Canadian short story cycle - the literary form that occupies the middle ground between short stories and novels. This wide-ranging volume has much to say about the continuing relationship between place and identity in Canadian literature and...

One of the few books on contemporary Native writing in Canada, Helen Hoy's absorbing and provocative work raises and addresses questions around 'difference' and the locations of cultural insider and outsider in relation to texts by contemporary Native women prose writers in Canada. Drawing on post-colonial, feminist, post-structuralist and First Nations theory, it explores the problems involved in reading and teaching a variety of works by Native women writers from the perspective of a cultural outsider. In each chapter, Hoy examines a particular author and text in order to address some of...

Settler Feminism and Race Making in Canada engages in a discursive analysis of three 'texts' - the narratives of Anna Jameson (Winter Studies and Summer Rambles in Canada), Theresa Gowanlock and Theresa Delaney (Two Months in the Camp of Big Bear), and the 'Janey Canuck' books of Emily Murphy - in order to examine how, in the context of a settler colony, white women have been part of the project of its governance, its racial constitution, and its role in British imperialism. Using Foucauldian theories of governmentality to connect these first-person narratives to wider...

The literary history of a nation is one of the main cornerstones of its national identity. As a result of Canada's diverse cultural history, however, its literary history is varied and, as E.D. Blodgett contends, is composed of five parts that work to create the whole. These parts include English Canada, French Canada, First Nations communities, Inuit communities, and immigrant communities. Using the critical writing on constructing nationhood, E.D. Blodgett suggests that Canadian literary histories can be used to address the problem of nation and to examine how each of the several...

Following Northrop Frye's death in 1991, a large archive of his correspondence, unpublished criticism, and notebooks was deposited with the Victoria University Library at the University of Toronto. This collection of essays, written by a distinguished group of Frye experts, begins the process of reassessing Frye's thought and writings in light of the extraordinary material contained in this archive.

The eight essays included here illuminate in new and significant ways both Frye's critical theories and their philosophical underpinnings. They show that Frye's was a many-sided and yet...

Writing a Politics of Perception offers new approaches to five novels by women writing in Canada. Dawn Thompson analyses these works through an epistemological theory that shifts critical perspective in surprising ways.

Under consideration are two classics of Canadian literature, Nicole Brossard's "Picture Theory" and Margaret Atwood's "Surfacing," as well as three lesser-known works: Marlene Nourbese Phillip's "Looking for Livingstone," Beatrice Culleton's "In Search of April Raintree," and R?gine Robin's "La Qu?b?coite." Thompson develops a theory of 'holographic memory, '...

Sinclair Ross (1908-1996), best known for his canonical novel As for Me and My House (1941), and for such familiar short stories as "The Lamp at Noon" and "The Painted Door," is an elusive figure in Canadian literature. A master at portraying the hardships and harsh beauty of the Prairies during the Great Depression, Ross nevertheless received only modest attention from the public during his lifetime. His reluctance to give readings or interviews further contributed to this faint public perception of the man.

In As for Sinclair Ross, David Stouck tells the...

An inveterate notebook keeper, Northrop Frye continually jotted down his ideas and thoughts as he worked through the complex schemes of his criticism. Volumes 5 and 6 of the Collected Works are the notebooks that he kept while writing his two final books, "Words with Power" and "The Double Vision." They provide a record of what he was reading and thinking as he struggled with the implications of those projects. In a sense they are the workshops out of which the books were constructed.

While focusing on the works-in-progress, the 3684 entries presented here range over diverse...

An inveterate notebook keeper, Northrop Frye continually jotted down his ideas and thoughts as he worked through the complex schemes of his criticism. Volumes 5 and 6 of the Collected Works are the notebooks that he kept while writing his two final books, "Words with Power" and "The Double Vision." They provide a record of what he was reading and thinking as he struggled with the implications of those projects. In a sense they are the workshops out of which the books were constructed.

While focusing on the works-in-progress, the 3684 entries presented here range over diverse...

Sinclair Ross's novel As For Me and My House was by all publishing standards a failure for the first thirty years of its life. Now, exactly a half-century after it first appeared in 1941, it has become a Canadian classic, the subject of more critical discussion and debate than any other single work of Canadian fiction. David Stouck has brought together some of the most important contributions of the vast body of critical writing on Ross's novel. The collection charts the fortunes of one work of fiction and in the process sheds much light on the development of English-Canadian literature as...

Since its appearance in 1990, The Spenser Encyclopedia has become the reference book for scholarship on Edmund Spenser (1552-99), offering a detailed, literary guide to his life, works, and influence. Comprehensive in scope and international in outlook, the encyclopedia contains some 700 entries by 422 contributors in 20 countries. An index provides access to material not obvious at first glance through the main body of the book, and all works cited more than once in the encyclopedia are included in an extensive bibliography. A brief historical preface and a guide to using the...