Kategoria BISAC: Literary Criticism >> American - Hispanic & Latino

Julia Alvarez made her mark on the American literary horizon with the 1991 publication of her debut novel "How the Garc DEGREESD'ia Girls Lost Their Accents," a story based on her own family's bicultural experiences. Readers and critics alike quickly discovered the writer's penchant for extracting humor from hardship, and weaving personal history into vivid prose. Within a decade, Alvarez had published three more highly acclaimed novels, including " Yo " (1997), a delightful sequel to her first novel. This Critical Companion introduces readers to the life and works of Dominican American...

Because of their ethnic identity, Latinas sometimes face discrimination in the United States. Latinas are additionally oppressed because of their gender--because they are women, they hold a subordinate position in patriarchal Latino culture. The oppression of Latinas is maintained through various cultural mechanisms, which sustain power relations based on gender. This book gives special attention to the role of female cultural gatekeepers in novels by contemporary Latina writers.

These gatekeepers enforce and perpetuate patriarchal cultural constraints onto future generations of...

There is growing awareness of the tremendous impact Latino writers have had on the recent literary scene, yet not all readers have the background to fully appreciate the merits and meanings of works like "House on Mango Street," "Line of the Sun," "Bless Me Ultima," and "In the Time of Butterflies." Offering analysis of their most important, popular, and frequently assigned fictional works, this book surveys the contributions of eight notable Latino writers: Julia Alvarez, Rodolfo Anaya, Sandra Cisneros, Junot Diaz, Christina Garia, Oscar Hijuelos, Ortiz Cofer, and Ernesto Quinonez....

Liberation Theology in Chicana/o Literature looks at the ways in which Chicana/o authors who have experienced cultural disconnection or marginalization because of their gender, gender politics and sexual orientation attempt to forge a connection back to Chicana/o culture through their use of liberation theology.

This polished literary history argues forcefully that Latinos are not newcomers in the United States by documenting a vast network of Spanish-language cultural activity in the nineteenth century. Juxtaposing poems and essays by both powerful and peripheral writers, Kirsten Silva Gruesz proposes a major revision of the nineteenth-century U.S. canon and its historical contexts.

Drawing on previously unpublished archival materials and building on an innovative interpretation of poetry's cultural role, Ambassadors of Culture brings together scattered writings from the...

Since the recent republication of her novel The Squatter and the Don, MarIa Amparo Ruiz de Burton (1832-95) has become a key figure in the recovery of nineteenth-century Mexican American literature. An aristocratic Californiana, she championed the rights of Mexican Americans in novels, plays, and letters. Her 1885 novel called attention to the illegal appropriation of Mexican land by the United States government, and she critiqued the political mores of America after the Civil War in light of the Mexican-American war. Her keen assessment of corporate capitalism...

The first book on the Victorian critic and public intellectual John Ruskin by a scholar of religion and ethics, this work recovers both Ruskin's engaged critique of economic life and his public practice of moral imagination. With its reading of Ruskin as an innovative contributor to a tradition of ethics concerned with character, culture, and community, this book recasts established interpretations of Ruskin's place in nineteenth-century literature and aesthetics, challenges nostalgic diagnoses of the supposed historical loss of virtue ethics, and demonstrates the limitations of any...

In Ethnic American Literature: Comparing Chicano, Jewish, and African American Writing, Dean J. Franco offers a comparative approach to ethnic literature that begins by accounting for the intrinsic historical, geographical, and political contingencies of different American cultures. These contingencies, he argues, dictate critical perspectives that are ultimately ethical and that establish the terms for the study of ethnic literature in the first place. Franco looks at a range of writing, from novels by Philip Roth, Cynthia Ozick, Toni Morrison, and Alejandro Morales, to literature and...