Kategoria BISAC: Literary Criticism >> American - Hispanic & Latino

Common conceptions permeating U.S. ethnic queer theory tend to confuse aesthetics with real-world acts and politics. Often Chicano/a representations of gay and lesbian experiences in literature and film are analyzed simply as propaganda. The cognitive, emotional, and narrational ingredients (that is, the subject matter and the formal traits) of those representations are frequently reduced to a priori agendas that emphasize a politics of difference.

In this book, Frederick Luis Aldama follows an entirely different approach. He investigates the ways in which race and gay/lesbian...

Although there have been substantial contributions to Chicana literature and criticism over the past few decades, Chicanas are still underrepresented and underappreciated in the mainstream literary world and virtually nonexistent in the canon. Writers like Sandra Cisneros, Ana Castillo, and Gloria Anzaldua have managed to find larger audiences and critical respect, but there are legions of Chicana writers and artists who have been marginalized and ignored despite their talent. Even in Chicano anthologies, the focus has tended to be more on male writers. Chicanas have often found themselves...

The second phase of the civil rights movement (1965-1973) was a pivotal period in the development of ethnic groups in the United States. In the years since then, new generations have asked new questions to cast light on this watershed era. No longer is it productive to consider only the differences between ethnic groups; we must also study them in relation to one another and to U.S. mainstream society.

In "Shakin' Up" Race and Gender, Marta E. Sanchez creates an intercultural frame to study the historical and cultural connections among Puerto Ricans, African Americans,...

Winner, Modern Language Association Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies, 2006

Popular fiction, with its capacity for diversion, can mask important cultural observations within a framework that is often overlooked in the academic world. Works thought to be merely "escapist" can often be more seriously mined for revelations regarding the worlds they portray, especially those of the disenfranchised. As detective fiction has slowly earned critical respect, more authors from minority groups have chosen it as their medium....

With the 1981 publication of the groundbreaking anthology This Bridge Called My Back: Writings by Radical Women of Color, Cherrie Moraga and Gloria Anzaldua ushered in an era of Chicana lesbian writing. But while these two writers have achieved iconic status, observers of the Chicana/o experience have been slow to perceive the existence of a whole community--lesbian and straight, male as well as female--who write about the Chicana lesbian experience. To create a first full map of that community, this book explores a wide range of plays, novels, and short stories by Chicana/o...

Since the 1980s, a prolific "second wave" of Chicano/a writers and artists has tremendously expanded the range of genres and subject matter in Chicano/a literature and art. Building on the pioneering work of their predecessors, whose artistic creations were often tied to political activism and the civil rights struggle, today's Chicano/a writers and artists feel free to focus as much on the aesthetic quality of their work as on its social content. They use novels, short stories, poetry, drama, documentary films, and comic books to shape the raw materials of life into art objects that cause...

Raul R. Salinas is regarded as one of today's most important Chicano poets and human rights activists, but his passage to this place of distinction took him through four of the most brutal prisons in the country. His singular journey from individual alienation to rage to political resistance reflected the social movements occurring inside and outside of prison, making his story both personal and universal.

This groundbreaking collection of Salinas' journalism and personal correspondence from his years of incarceration and following his release provides a unique perspective into his...

A rogues' gallery of Mexican bandits, bombshells, lotharios, and thieves saturates American popular culture. Remember Speedy Gonzalez? "Mexican Spitfire" Lupe Velez? The Frito Bandito? Familiar and reassuring--at least to Anglos--these Mexican stereotypes are not a people but a text, a carefully woven, articulated, and consumer-ready commodity. In this original, provocative, and highly entertaining book, William Anthony Nericcio deconstructs Tex t]-Mexicans in films, television, advertising, comic books, toys, literature, and even critical theory, revealing them to be less flesh-and-blood...

The astonishing talent of Argentine women writers belies the struggles they have faced--not merely as overlooked authors, but as women of conviction facing oppression. The patriarchal pressures of the Peron years, the terror of the Dirty War, and, more recently, the economic collapse that gripped the nation in 2001 created such repressive conditions that some writers, such as Luisa Valenzuela, left the country for long periods. Not surprisingly, power has become an inescapable theme in Argentine women's fiction, and this collection shows how the dynamics of power capture not only the...

In his books The Great Plains, The Great Frontier, and The Texas Rangers, historian Walter Prescott Webb created an enduring image of fearless, white, Anglo male settlers and lawmen bringing civilization to an American Southwest plagued with "savage" Indians and Mexicans. So popular was Webb's vision that it influenced generations of historians and artists in all media and effectively silenced the counter-narratives that Mexican American writers and historians were concurrently producing to claim their standing as "gente decente," people of...

Struggles over space and resistance to geographic displacement gave birth to much of Chicano history and culture. In this pathfinding book, Raul Villa explores how California Chicano/a activists, journalists, writers, artists, and musicians have used expressive culture to oppose the community-destroying forces of urban renewal programs and massive freeway development and to create and defend a sense of Chicano place-identity.

Villa opens with a historical overview that shows how Chicano communities and culture have grown in response to conflicts over space ever since the United...

This book celebrates the emergence of a potent force on the American literary scene: the coming of age of contemporary Hispanic writers. The Americas Review--the pioneering journal of Hispanic literary arts, which has nurtured the early careers of many now-famous authors--celebrates its 25th anniversary with this anthology of some of the best fiction and poetry from its pages.

The collection is truly representative of the diverse regional and national backgrounds that have helped forge a creative community across the continent. The works presented here are divided into three parts,...

"I am willing to relate all I can remember, but I wish it clearly understood that it must be in my own way, and at my own time. I will not be hurried or dictated to. It is my history and not yours I propose to tell."--Mariano Guadelupe Vallejo, on "Recuerdos historicos y personales" (1875)
My History, Not Yours is a landmark study of the autobiographical writings of Mexican Americans in the century following the US-Mexican War of 1846-1848. Some 75,000 inhabitants of what is now Texas, New Mexico, Arizona, Nevada, and California were suddenly foreigners on their own lands....

Rebelling against bourgeois vacuity and taking their countercultural critique on the road, the Beat writers and artists have long symbolized a spirit of freedom and radical democracy. Manuel Martinez offers an eye-opening challenge to this characterization of the Beats, juxtaposing them against Chicano nationalists like Raul Salinas, Jose Montoya, Luis Valdez, and Oscar Acosta and Mexican migrant writers in the United States, like Tomas Rivera and Ernesto Galarza.
In an innovative rereading of American radical politics and culture of the 1950s and 1960s, Martinez uncovers reactionary,...

Julia Alvarez made her mark on the American literary horizon with the 1991 publication of her debut novel "How the Garc DEGREESD'ia Girls Lost Their Accents," a story based on her own family's bicultural experiences. Readers and critics alike quickly discovered the writer's penchant for extracting humor from hardship, and weaving personal history into vivid prose. Within a decade, Alvarez had published three more highly acclaimed novels, including " Yo " (1997), a delightful sequel to her first novel. This Critical Companion introduces readers to the life and works of Dominican American...

Because of their ethnic identity, Latinas sometimes face discrimination in the United States. Latinas are additionally oppressed because of their gender--because they are women, they hold a subordinate position in patriarchal Latino culture. The oppression of Latinas is maintained through various cultural mechanisms, which sustain power relations based on gender. This book gives special attention to the role of female cultural gatekeepers in novels by contemporary Latina writers.

These gatekeepers enforce and perpetuate patriarchal cultural constraints onto future generations of...

There is growing awareness of the tremendous impact Latino writers have had on the recent literary scene, yet not all readers have the background to fully appreciate the merits and meanings of works like "House on Mango Street," "Line of the Sun," "Bless Me Ultima," and "In the Time of Butterflies." Offering analysis of their most important, popular, and frequently assigned fictional works, this book surveys the contributions of eight notable Latino writers: Julia Alvarez, Rodolfo Anaya, Sandra Cisneros, Junot Diaz, Christina Garia, Oscar Hijuelos, Ortiz Cofer, and Ernesto Quinonez....