Kategoria BISAC: Literary Criticism >> American - African American & Black

This book examines how cultural and ideological reactions to activism in the post-Civil Rights Black community were depicted in fiction written by Black women writers, 1965-1980. By recognizing and often challenging prevailing cultural paradigms within the post-Civil Rights era, writers such as Toni Morrison, Alice Walker, Toni Cade Bambara, and Paule Marshall fictionalized the black community in critical ways that called for further examination of progressive activism after the much publicized 'end' of the Civil Rights Movement. Through their writings, the authors' confronted marked...

Beginning in the 1830s, the white actor Thomas D. Rice took to the stage as Jim Crow, and the ragged and charismatic trickster of black folklore entered--and forever transformed--American popular culture. Jump Jim Crow brings together for the first time the plays and songs performed in this guise and reveals how these texts code the complex use and abuse of blackness that has characterized American culture ever since Jim Crow's first appearance.

Along with the prompt scripts of nine plays performed by Rice--never before published as their original audiences saw them--W. T....

FEATURING STORIES FROM SOME OF TODAY'SMOST POPULAR AFRICAN AMERICAN WRITERS
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OMAR TYREE
writing as The Urban Griot
The Old South falls prey to a handsome young vampire with a real taste for the ladies. Love at first bite never hurt so good.
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ANGELA C. ALLEN
The mafia is no match for the wicked charms of a beautiful young vampire once she's let loose on the New York City streets.
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MONICA...

Odysseys Home: Mapping African-Canadian Literature is a pioneering study of African-Canadian literary creativity, laying the groundwork for future scholarly work in the field. Based on extensive excavations of archives and texts, this challenging passage through twelve essays presents a history of the literature and examines its debt to, and synthesis with, oral cultures. George Elliott Clarke identifies African-Canadian literature's distinguishing characteristics, argues for its relevance to both African Diasporic Black and Canadian Studies, and critiques several of its key...

With grace and insight, celebrated writer bell hooks untangles the complex personae of women writers. Born and raised in the rural South, hooks learned early the power of the written word and the importance of speaking her mind. Her passion for words is the heartbeat of this collection of essays. Remembered Rapture celebrates literacy, the joys of reading and writing, and the lasting power of the book. Once again, these essays reveal bell hooks's wide-ranging intellectual scope; she is a universal writer addressing readers and writers everywhere.

Jean Toomer's Cane was the first major text of the Harlem Renaissance and the first important modernist text by an African-American writer. It powerfully depicts the terror in the history of American race relations, a public world of lynchings, race riots, and Jim Crow, and a private world of internalized conflict over identity and race which mirrored struggles in the culture at large. Toomer's own life reflected that internal conflict, and he has been an ambiguous figure in literary history, an author who wrote a text that had a tremendous impact on African American authors but who...

Gwendolyn Brooks is one of the major American poets of this century and the first black woman to win the Pulitzer Prize for poetry (1950). Yet far less critical attention has focused on her work than on that of her peers.

In this comprehensive biocritical study, Melhem -- herself a poet and critic -- traces the development of Brooks's poetry over four decades, from such early works as A Street in Bronzeville, Annie Allen, and The Bean Eaters, to the more recent In the Mecca, Riot, and To Disembark.

In addition to analyzing the poetic devices used,...