Kategoria BISAC: Literary Collections >> Interviews

Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely crafted literature. From William Faulkner's determination that a great novel takes "ninety-nine percent talent . . . ninety-nine percent discipline . . . ninety-nine percent work," to Gabriel Garcia Marquez's observation that "in the first paragraph, you solve most of the problems with your book," The Paris Review has elicited revelatory and revealing thoughts from our most accomplished novelists,...

Kentucky and Kentuckians are full of stories, which may be why so many present-day writers have Kentucky roots. Whether they left and returned, like Wendell Berry and Bobbie Ann Mason, or adopted Kentucky as home, like James Still and Jim Wayne Miller, or grew up and left for good, like Michael Dorris and Barbara Kingsolver, they have one connection: Kentucky has influenced their writing and their lives. L. Elisabeth Beattie explores this influence in twenty intimate interviews.

Conversations with Kentucky Writers was more than three years in the making, as Beattie traveled...

Twenty-seven interviews reprinted here come from a variety of sources--newspapers, radio, journals, and review--and show this celebrated author in all his eloquence, anger, and perception of racial, social, and literary situations in America.

Over the years Baldwin proved to be an easily accessible and cooperative subject for interviews, both...

These interviews show him as a novelist, a charismatic teacher of creative writing, and a widely published scholar who has vast knowledge and who generated much literary information in his lectures and interviews.

After the publication of such popular and critical successes as Grendel (1971) and The Sunlight Dialogues (1972), this philosophical writer with an enviable talent for storytelling was regarded as -a...

Carver discusses his changing views of his widely influential fiction collections What We Talk About When We Talk...

As a fiercely independent thinker, Ishmael Reed, author of Mumbo Jumbo, Flight to Canada, Reckless Eyeballing, and other works of fiction, nonfiction, and poetry, is often in conflict with the culture that appears to have a compulsive need to cage its artists and intellectuals in worn-out cliches and labels. As a writer who experiments in many forms and genres, and one who embraces postmodernism rather than protest and naturalism, Reed defies popular conceptions of what American writers, particularly black American male writers, should be or do.

In this collection of candid...

-We're living a national ideology that's invisible to us because we're inside it.-

At the outset of his career E. L. Doctorow told Paul Levine, -History written by historians is clearly insufficient.- Doctorow's novels carry out that conviction by imagining the great moments of American history--the Old West, the gilded age, the Depression, the cold war--as backdrops for tales of excruciating moral pain and injustice in America.
In Conversations with E. L. Doctorow Christopher D. Morris has gathered over twenty of the most revelatory interviews with the acclaimed author of...

There are few writers about whom it can be said that they write just like they speak, but Jack Kerouac (1922-1969) is clearly one of them. In 1958, Kerouac was a struggling writer trying to create a new literary aesthetic based on the rhythms of human speech, jazz-based improvisation, autobiography, and American slang. That year saw the publication of his second novel On the Road, which would instantly propel him to fame and ensconce him in the literary establishment. By 1969, he was dead of internal hemorrhaging brought on by excessive drinking. Though his literary reputation may...

"I have all the copies of The Paris Review and like the interviews very much. They will make a good book when collected and that will be very good for the Review."--Ernest Hemingway

Since The Paris Review was founded in 1953, it has given us invaluable conversations with the greatest writers of our age, vivid self-portraits that are themselves works of finely crafted literature. From Salman Rushdie's daring rhetorical question "why shouldn't literature provoke?" to Joyce Carol Oates's thrilling comments about her own prolific output, The Paris Review...