Kategoria BISAC: Literary Collections >> Russian & Former Soviet Union

For more than seventy years, Penguin has been the leading...

Osip Mandelstam, who died anonymously in a Siberian transit-camp in 1938, is now generally considered to be among the four or five greatest Russian poets of the twentieth century. The essays in this volume, presented in an exceptionally scrupulous and true translation, were selected because they represent Mandelstam's major poetic themes and his thought on literature, language and culture, and the work and place of the poet. Mandelstam's views on literature are profound and original, and they are expressed in striking and dramatic, if sometimes difficult, prose. These essays deal with such...

Baba Yaga is an ambiguous and fascinating figure. She appears in traditional Russian folktales as a monstrous and hungry cannibal, or as a canny inquisitor of the adolescent hero or heroine of the tale. In new translations and with an introduction by Sibelan Forrester, Baba Yaga: The Wild Witch of the East in Russian Fairy Tales is a selection of tales that draws from the famous collection of Aleksandr Afanas'ev, but also includes some tales from the lesser-known nineteenth-century collection of Ivan Khudiakov. This new collection includes beloved classics such as -Vasilisa the...

This volume of folktales from the Far North of European Russia features seventeen works by five narrators of the Russian tale, all recorded in the twentieth century. The tales, distinguished by their extraordinary length and by the manner in which they were commonly told, appear to have flourished only in the twentieth century and only in Russian Karelia.

At a time when the Russian theatre was dominated by formulaic melodramas and farces, Chekhov created a new sort of drama that laid bare the everyday lives, loves and yearnings of ordinary people. Ivanov depicts a man stifled by inactivity and lost idealism, and The...

In Red Autobiographies, Igal Halfin reads admission records of the Soviet Communist Party cells in the 1920s for what they reveal about the politics of self-representation in Bolshevik political culture. He identifies ways of speaking about oneself as a central arena of the Soviet revolution's drive for discovering, changing, and perfecting the self. The study is based on sources-many of which are no longer as freely accessible as they were during the heyday of the Soviet "archival bonanza" - in provincial party archives in Leningrad, Smolensk, and Tomsk. Its principal merit is...